You searched for: Anon
Modern Confectionary; Containing Receipts for Drying and Candying, Confits, Cakes, Preserves, Liqueurs, Ices, Jellies, Creams, Sponges, Pastes, Potted Meats, Pickles, Wines, Etc. Etc. Etc. By the Author of “Modern Cookery” -
Anon
1833 - Printed by and for Henry Mozley and Sons, Derby - Second Edition
A finely bound rare early nineteenth century compilation of recipes including deserts, cakes, biscuits, pickles, relish, wines. Most likely compiled from numerous sources by Eliza Acton, who has been described as the first modern cookery writer, preceding Mrs Beeton by several years. Delia Smith has called her ‘the best writer of recipes in the English language’.
Chapters are: Drying and Candying; Lozenges and Confits, Cakes, Biscuits, etc.; Puddings; Preserves; Sirups, Liqueurs, and Waters; Ices; Jellies; Creams, Custards, etc.; Sponges; Patties, Pastes, etc.; Potted Meats; Pickles, Catsups, etc.; Observations on British Wine.
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Price HK$ 3,000
1833 - Printed by and for Henry Mozley and Sons, Derby - Second Edition
A finely bound rare early nineteenth century compilation of recipes including deserts, cakes, biscuits, pickles, relish, wines. Most likely compiled from numerous sources by Eliza Acton, who has been described as the first modern cookery writer, preceding Mrs Beeton by several years. Delia Smith has called her ‘the best writer of recipes in the English language’.Chapters are: Drying and Candying; Lozenges and Confits, Cakes, Biscuits, etc.; Puddings; Preserves; Sirups, Liqueurs, and Waters; Ices; Jellies; Creams, Custards, etc.; Sponges; Patties, Pastes, etc.; Potted Meats; Pickles, Catsups, etc.; Observations on British Wine.
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Price HK$ 3,000
The Complete Works - Sense and Sensibility; Pride and Prejudice; Mansfield Park; Emma; Northanger Abbey and Persuasion; Lady Susan, The Watsons, and Letters -
Jane Austen
1911-12 - John Grant, Edinburgh - The Winchester Edition
‘I declare after all there is no enjoyment like reading! How much sooner one tires of anything than of a book! When I have a house of my own, I shall be miserable if I have not an excellent library.'
An elegantly bound twelve volume set, comprising all of Austen's works. With a portrait frontispiece to first volume, and title pages printed in red and black with a vignette 'JA' monogram.
‘Affectation of candour is common enough—one meets with it everywhere. But to be candid without ostentation or design—to take the good of everybody's character and make it still better, and say nothing of the bad—belongs to you alone.’
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Price HK$ 35,000
1911-12 - John Grant, Edinburgh - The Winchester Edition
‘I declare after all there is no enjoyment like reading! How much sooner one tires of anything than of a book! When I have a house of my own, I shall be miserable if I have not an excellent library.'An elegantly bound twelve volume set, comprising all of Austen's works. With a portrait frontispiece to first volume, and title pages printed in red and black with a vignette 'JA' monogram.
‘Affectation of candour is common enough—one meets with it everywhere. But to be candid without ostentation or design—to take the good of everybody's character and make it still better, and say nothing of the bad—belongs to you alone.’
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Price HK$ 35,000
The Works -
Jane Austen
1926 - At the Clarendon Press, Oxford - Second Edition Thus
'I declare after all there is no enjoyment like reading! How much sooner one tires of anything than of a book! When I have a house of my own, I shall be miserable if I have not an excellent library.'
This elegantly bound five volume Oxford edition, illustrated throughout, contains all of Austen's famous novels, as well as extensive introductions, appendixes and addenda, including 'Miss Austen's English', 'Modes of Address', 'Carriages and Travel', 'The Topography of Bath', a biographical note on the author, and 'The Mysteries of Udolpho'.
‘Affectation of candour is common enough—one meets with it everywhere. But to be candid without ostentation or design—to take the good of everybody's character and make it still better, and say nothing of the bad—belongs to you alone.’
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Price HK$ 18,000
1926 - At the Clarendon Press, Oxford - Second Edition Thus
'I declare after all there is no enjoyment like reading! How much sooner one tires of anything than of a book! When I have a house of my own, I shall be miserable if I have not an excellent library.'This elegantly bound five volume Oxford edition, illustrated throughout, contains all of Austen's famous novels, as well as extensive introductions, appendixes and addenda, including 'Miss Austen's English', 'Modes of Address', 'Carriages and Travel', 'The Topography of Bath', a biographical note on the author, and 'The Mysteries of Udolpho'.
‘Affectation of candour is common enough—one meets with it everywhere. But to be candid without ostentation or design—to take the good of everybody's character and make it still better, and say nothing of the bad—belongs to you alone.’
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Price HK$ 18,000
Death in the House -
Anthony Berkeley
1939 - Hodder and Stoughton Limited, London - First Edition
A rare Berkeley title.
‘Lord Wellacombe, Secretary of State for India, dies whilst giving a speech to introduce a new bill on the floor of the House of Commons. His untimely demise looks like a stroke, but is it mere coincidence that a threat on his life had been made? The bill needs to be passed, but is anyone brave enough to defy the threats and risk potential murder?’
Enter Lord Arthur...
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Price HK$ 1,800
1939 - Hodder and Stoughton Limited, London - First Edition
A rare Berkeley title.‘Lord Wellacombe, Secretary of State for India, dies whilst giving a speech to introduce a new bill on the floor of the House of Commons. His untimely demise looks like a stroke, but is it mere coincidence that a threat on his life had been made? The bill needs to be passed, but is anyone brave enough to defy the threats and risk potential murder?’
Enter Lord Arthur...
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Price HK$ 1,800
Les Grands Vins de Bordeaux. -
M. P. Biarnez, Professeur Babrius [Pseud. Dr. Jules Arthaud]
1870 - Feret, Bordeaux - Second Edition revised and enlarged
A finely bound revised and enlarged second edition, the text in French, profusely illustrated with four engraved frontispieces and twenty full-page engravings of people in various social “wine” situations related to the text. The engravings are after designs by Pauquet.
‘Biarnez takes us on a poetic tour of the Médoc, in French, singing the praises of the classified growths (pages 17-93) and ends with a paean to the white wines of Bordeaux (pages 97-123) and the effect they have on the imbiber: “C'est une ivresse sainte, un sublime délire, Et, parmi tous les vins, notre vin seul l'inspire!. To the rear is Dr. Arthaud’s 51 page essay ‘De L’influence du vin sur la civilisation’.
Published 20 years after the first, this edition adds further lines to the verses, an enlarged preface, and includes an additional engraved frontispiece, and the original engraved plate from the first edition. The ‘hanging plate’ opposite page 73 has been replaced with the man being led to the gallows, perhaps readers had complained that it spoilt their enjoyment of a decent glass of claret.
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Price HK$ 7,000
1870 - Feret, Bordeaux - Second Edition revised and enlarged
A finely bound revised and enlarged second edition, the text in French, profusely illustrated with four engraved frontispieces and twenty full-page engravings of people in various social “wine” situations related to the text. The engravings are after designs by Pauquet. ‘Biarnez takes us on a poetic tour of the Médoc, in French, singing the praises of the classified growths (pages 17-93) and ends with a paean to the white wines of Bordeaux (pages 97-123) and the effect they have on the imbiber: “C'est une ivresse sainte, un sublime délire, Et, parmi tous les vins, notre vin seul l'inspire!. To the rear is Dr. Arthaud’s 51 page essay ‘De L’influence du vin sur la civilisation’.
Published 20 years after the first, this edition adds further lines to the verses, an enlarged preface, and includes an additional engraved frontispiece, and the original engraved plate from the first edition. The ‘hanging plate’ opposite page 73 has been replaced with the man being led to the gallows, perhaps readers had complained that it spoilt their enjoyment of a decent glass of claret.
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Price HK$ 7,000
Haiku : Volume 1 Eastern Culture; Volume 2 Spring; Volume 3 Summer-Autumn; Volume 4 Autumn-Winter -
R. H. Blyth
1949 - The Hokuseido Press, Tokyo - Vol. 1, 2, & 4 First Editions, Vol. 3 early printing
‘Mountains and rivers, the whole earth, –
All manifest forth the essence of being’
A lovely set of this four volume work on the origins and spirit of Japanese haiku, complete and fine in beautifully illustrated dust jackets. Tipped in the last page of each volume is the publisher’s sheet with date of printing, Blyth’s hanko (ink stamp), bookseller’s plate and other details, which are normally missing and which allow accurate dating of each volume (our thanks to a particular customer for assisting with this).
Blyth is best known as a major interpreter of haiku to English speakers. These four volumes, first published from 1949 to 1952, helped introduce haiku to the post World War II world, and his translations and writings on the subject were a crucial impetus in triggering the creation of haiku outside of Japan. Many contemporary Western writers of haiku were introduced to the genre through his works. These include the San Francisco and Beat Generation writers, such as Jack Kerouac, Gary Snyder, and Allen Ginsberg, as well as J.D. Salinger.
Each volume with numerous full page black and white and colour illustrations. Volume 4 contains a fold-out graph depicting the evolution of English and Japanese literature, at rear. Many haiku in Blyth’s translation are presented alongside their original Japanese characters.
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Price HK$ 6,000
1949 - The Hokuseido Press, Tokyo - Vol. 1, 2, & 4 First Editions, Vol. 3 early printing
‘Mountains and rivers, the whole earth, –All manifest forth the essence of being’
A lovely set of this four volume work on the origins and spirit of Japanese haiku, complete and fine in beautifully illustrated dust jackets. Tipped in the last page of each volume is the publisher’s sheet with date of printing, Blyth’s hanko (ink stamp), bookseller’s plate and other details, which are normally missing and which allow accurate dating of each volume (our thanks to a particular customer for assisting with this).
Blyth is best known as a major interpreter of haiku to English speakers. These four volumes, first published from 1949 to 1952, helped introduce haiku to the post World War II world, and his translations and writings on the subject were a crucial impetus in triggering the creation of haiku outside of Japan. Many contemporary Western writers of haiku were introduced to the genre through his works. These include the San Francisco and Beat Generation writers, such as Jack Kerouac, Gary Snyder, and Allen Ginsberg, as well as J.D. Salinger.
Each volume with numerous full page black and white and colour illustrations. Volume 4 contains a fold-out graph depicting the evolution of English and Japanese literature, at rear. Many haiku in Blyth’s translation are presented alongside their original Japanese characters.
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Price HK$ 6,000
Crime Collection - 24 Volumes -
Agatha Christie
1969-1972 - Paul Hamlyn, London - First Edition Thus
The works by the ‘Queen of Crime’ - 72 novels and short story collections stunningly hand-bound in twenty four volumes (three titles per volume). An eye-catching and comprehensive set including all the elusive early titles, from The Mysterious Affair at Styles and The Murder of Roger Ackroyd to Hallowe'en Party and Passenger to Frankfurt.
The only major collection of Christie's novels to date, issued as a set for subscribers and endorsed by Agatha Christie. It includes all the published crime novels up to 1970, and features Agatha Christie’s foreword and facsimile signature in the first volume.
Christie’s works have stood the test of time. In 2013, The Murder of Roger Ackroyd was voted the best crime novel ever by 600 fellow writers of the Crime Writers' Association, and she is listed by the Guinness Book of Records as the best-selling novelist of all time, her novels have sold an estimated two billion copies, and her estate claims that her works come third in the rankings of the world's most-widely published books, behind Shakespeare's works and the Bible. They have been translated into over 100 languages, with and Then There Were None selling over 100 million copies (as at 2014), making it the world’s best selling mystery ever.
Reference: Haycraft, Murder for Pleasure 129.
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Price HK$ 50,000
1969-1972 - Paul Hamlyn, London - First Edition Thus
The works by the ‘Queen of Crime’ - 72 novels and short story collections stunningly hand-bound in twenty four volumes (three titles per volume). An eye-catching and comprehensive set including all the elusive early titles, from The Mysterious Affair at Styles and The Murder of Roger Ackroyd to Hallowe'en Party and Passenger to Frankfurt.The only major collection of Christie's novels to date, issued as a set for subscribers and endorsed by Agatha Christie. It includes all the published crime novels up to 1970, and features Agatha Christie’s foreword and facsimile signature in the first volume.
Christie’s works have stood the test of time. In 2013, The Murder of Roger Ackroyd was voted the best crime novel ever by 600 fellow writers of the Crime Writers' Association, and she is listed by the Guinness Book of Records as the best-selling novelist of all time, her novels have sold an estimated two billion copies, and her estate claims that her works come third in the rankings of the world's most-widely published books, behind Shakespeare's works and the Bible. They have been translated into over 100 languages, with and Then There Were None selling over 100 million copies (as at 2014), making it the world’s best selling mystery ever.
Reference: Haycraft, Murder for Pleasure 129.
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Price HK$ 50,000
Confessions of an English Opium-Eater -
Thomas De Quincey
1822 - J. Moyes for Taylor and Hessey, London - First Edition
First edition of ‘the most famous account of drug addiction in English literature’ (Norman), the earliest example of ‘addiction literature’ in the English language, and one of the most controversial memoirs ever written, De Quincey illuminates the world of opioid usage in medical, recreational, and criminal capacities. Written when the author was only thirty six, he examines his own experiences of the drug alongside its wider history, from opium dens buried in the heart of London to references of ‘poppy tears’ found within Homer, Virgil, Chaucer, and Shakespeare.
In the publisher’s original boards, page edges untrimmed, with half-title and the two pages of advertisements, and housed in an exquisite custom lather and velvet clamshell case.
‘Here was the secret of happiness, about which philosophers had disputed for so many ages, at once discovered; happiness might now be bought for a penny, and carried in the waistcoat-pocket; portable ecstasies might be had corked up in a pint-bottle; and peace of mind could be sent down by the mail.’
De Quincey experienced an amazingly tragic life filled with death, loneliness, and the full panoply of suffering, but unlike many others, it ultimately led him to great empathy.
‘For a philosopher should not see with the eyes of the poor limitary creature calling himself a man of the world, and filled with narrow and self-regarding prejudices of birth and education, but should look upon himself as a catholic creature, and as standing in equal relation to high and low, to educated and uneducated, to the guilty and the innocent.’
His iconic text would go on to influence the likes of Poe, Dickens, and the Beat Generation.
‘…he transformed our perception of drugs. De Quincey invented recreational drug-taking, not because he was the first to swallow opiates for non-medical reasons(he was hardly that), but because he was the first to commemorate his drug experience in a compelling narrative that was consciously aimed at — and consumed by — a broad commercial audience. Further, in knitting together intellectualism, unconventionality, drugs, and the city, De Quincey mapped in the counter-cultural figure of the bohemian. He was also the first flaneur, high and anonymous, graceful and detached, strolling through crowded urban sprawls trying to decipher the spectacles, faces, and memories that reside there. Most strikingly, as the self-proclaimed “Pope” of “the true church on the subject of opium,” he initiated the tradition of the literature of intoxication with his portrait of the addict as a young man. De Quincey is the first modern artist, at once prophet and exile, riven by a drug that both inspired and eviscerated him.’(Robert Morrison)
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Price HK$ 50,000
1822 - J. Moyes for Taylor and Hessey, London - First Edition
First edition of ‘the most famous account of drug addiction in English literature’ (Norman), the earliest example of ‘addiction literature’ in the English language, and one of the most controversial memoirs ever written, De Quincey illuminates the world of opioid usage in medical, recreational, and criminal capacities. Written when the author was only thirty six, he examines his own experiences of the drug alongside its wider history, from opium dens buried in the heart of London to references of ‘poppy tears’ found within Homer, Virgil, Chaucer, and Shakespeare.In the publisher’s original boards, page edges untrimmed, with half-title and the two pages of advertisements, and housed in an exquisite custom lather and velvet clamshell case.
‘Here was the secret of happiness, about which philosophers had disputed for so many ages, at once discovered; happiness might now be bought for a penny, and carried in the waistcoat-pocket; portable ecstasies might be had corked up in a pint-bottle; and peace of mind could be sent down by the mail.’
De Quincey experienced an amazingly tragic life filled with death, loneliness, and the full panoply of suffering, but unlike many others, it ultimately led him to great empathy.
‘For a philosopher should not see with the eyes of the poor limitary creature calling himself a man of the world, and filled with narrow and self-regarding prejudices of birth and education, but should look upon himself as a catholic creature, and as standing in equal relation to high and low, to educated and uneducated, to the guilty and the innocent.’
His iconic text would go on to influence the likes of Poe, Dickens, and the Beat Generation.
‘…he transformed our perception of drugs. De Quincey invented recreational drug-taking, not because he was the first to swallow opiates for non-medical reasons(he was hardly that), but because he was the first to commemorate his drug experience in a compelling narrative that was consciously aimed at — and consumed by — a broad commercial audience. Further, in knitting together intellectualism, unconventionality, drugs, and the city, De Quincey mapped in the counter-cultural figure of the bohemian. He was also the first flaneur, high and anonymous, graceful and detached, strolling through crowded urban sprawls trying to decipher the spectacles, faces, and memories that reside there. Most strikingly, as the self-proclaimed “Pope” of “the true church on the subject of opium,” he initiated the tradition of the literature of intoxication with his portrait of the addict as a young man. De Quincey is the first modern artist, at once prophet and exile, riven by a drug that both inspired and eviscerated him.’(Robert Morrison)
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Price HK$ 50,000