A Treatise on Cyder-Making -
Hugh Stafford, Anonymous
1753 - Printed for E. Cave, London - First Edition
Legendary and rare first edition of this anonymous work, all of which is generally but erroneously attributed to Hugh Stafford who contributed the sixteen page ‘Dissertation on Cyder and Cyder-Fruit’ at the beginning.
Covering the entire process from identifying and growing the best cider apples, collection, pressing, fermentation, racking, preserving and remedial action for a variety of issues ‘which are incident to Cyder’. With fold-out engraving of cider press (opp. p.32), in-text wood-cut diagrams to pages 43 and 68 (‘One side of the framed Press...’.) and wood-cut decorations to pages v, 47, and 61.
‘As Cyder therefore is generally allowed to be an wholesome drink, and as it is the natural product of our own country, he will surely be thought to contribute something towards the good of the public, who gives infallible directions for making it universally agreeable by varrying it so as to suit every palate, and by improving the flavour and the quality, both of the rough and the smooth, divesting it of its tendency to produce cholics, and giving it the sparkle of Champaign, without an eager and windy fermentation, and rendering it more spirituous than a small wine tho' less inflaming’. [Preface]
An influential work, Benjamin Franklin, who was partial to a drop himself, ordered three copies to be reprinted as pamphlets and distributed amongst the New England farmers after failing with their vineyards. It was plagiarised into various publications including encyclopaedias, cookbooks and later reference works related to cider.
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Price HK$ 42,000
1753 - Printed for E. Cave, London - First Edition
Legendary and rare first edition of this anonymous work, all of which is generally but erroneously attributed to Hugh Stafford who contributed the sixteen page ‘Dissertation on Cyder and Cyder-Fruit’ at the beginning.Covering the entire process from identifying and growing the best cider apples, collection, pressing, fermentation, racking, preserving and remedial action for a variety of issues ‘which are incident to Cyder’. With fold-out engraving of cider press (opp. p.32), in-text wood-cut diagrams to pages 43 and 68 (‘One side of the framed Press...’.) and wood-cut decorations to pages v, 47, and 61.
‘As Cyder therefore is generally allowed to be an wholesome drink, and as it is the natural product of our own country, he will surely be thought to contribute something towards the good of the public, who gives infallible directions for making it universally agreeable by varrying it so as to suit every palate, and by improving the flavour and the quality, both of the rough and the smooth, divesting it of its tendency to produce cholics, and giving it the sparkle of Champaign, without an eager and windy fermentation, and rendering it more spirituous than a small wine tho' less inflaming’. [Preface]
An influential work, Benjamin Franklin, who was partial to a drop himself, ordered three copies to be reprinted as pamphlets and distributed amongst the New England farmers after failing with their vineyards. It was plagiarised into various publications including encyclopaedias, cookbooks and later reference works related to cider.
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Price HK$ 42,000
La Vigne - Voyage Autour des Vins de France -
Charles Albert Vicomte d'Arnoux Bertall
1878 - E. Plon et Cie., Paris - First Edition
A superb example of this richly illustrated wine book landmark, text in French, with numerous humorous anecdotes about winemakers, merchants, innkeepers... Housed in the publisher’s luxury full red morocco binding.
The author and illustrator ‘Bertall’ is the pseudonym of the designer, caricaturist and photographer Charles Albert Vicomte d'Arnoux (1820-1882), who provides 95 full page captioned illustrations and close to 400 in-text wood-engraved illustrations.
The a vast array of illustrations by ‘Bertall’ are combined with an interesting potpourri of French viniana. For example, wines are divided into three big categories: white wines, red wines and blue wines, matching the French national colours. The whites are generally luxury wines, from Chablis and Saumur to Champagne and Sauterne - wines of the rich. Red wines are for general use and for tasting, they make glad the heart and the mind, etc. Blue wines are the wines of the workers and of those who prefer not to work, wines warm in the gut but hard on the gullet, good for vitality in moderation, but bad when taken to excess [pages 23-24].
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Price HK$ 8,000
1878 - E. Plon et Cie., Paris - First Edition
A superb example of this richly illustrated wine book landmark, text in French, with numerous humorous anecdotes about winemakers, merchants, innkeepers... Housed in the publisher’s luxury full red morocco binding.The author and illustrator ‘Bertall’ is the pseudonym of the designer, caricaturist and photographer Charles Albert Vicomte d'Arnoux (1820-1882), who provides 95 full page captioned illustrations and close to 400 in-text wood-engraved illustrations.
The a vast array of illustrations by ‘Bertall’ are combined with an interesting potpourri of French viniana. For example, wines are divided into three big categories: white wines, red wines and blue wines, matching the French national colours. The whites are generally luxury wines, from Chablis and Saumur to Champagne and Sauterne - wines of the rich. Red wines are for general use and for tasting, they make glad the heart and the mind, etc. Blue wines are the wines of the workers and of those who prefer not to work, wines warm in the gut but hard on the gullet, good for vitality in moderation, but bad when taken to excess [pages 23-24].
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Price HK$ 8,000
A History of Champagne -
Henry Vizetelly
1882 - Vizetelly &, London - First Edition
A superb example of the finest work ever presented on Champagne. Tracing the history of champagne and it’s wine over 1,800 years. Strikingly illustrated with 350 engravings, including numerous illustrations from ancient manuscripts and 200 original sketches made under the author's supervision. With folding coloured lithograph map showing the vineyards of Champagne. In the publishers elegant gilt pictorial binding.
The first part of the book is historical, champagne from its origins, its progress in the 14th century, the 17th, 18th, the conflict between Burgundy and Champagne, champagne in England. The second part describes the various vineyards, viticulture, manufacturing, large establishments of Reims, d'Epernay, Pierry, Ay, Mareuil, Avize and Rilly. Part three talks about the other sparkling wines of France: Saumur, Vouvray, Sauterne, Bourgogne, Jura, Rhone, concluding with Facts and Notes Respecting Sparkling Wine. To the rear are advertisements from producers such as Moët et Chandon, Deutz & Geldermann, and Vizetelly's catalogue of other published works.
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Price HK$ 20,000
1882 - Vizetelly &, London - First Edition
A superb example of the finest work ever presented on Champagne. Tracing the history of champagne and it’s wine over 1,800 years. Strikingly illustrated with 350 engravings, including numerous illustrations from ancient manuscripts and 200 original sketches made under the author's supervision. With folding coloured lithograph map showing the vineyards of Champagne. In the publishers elegant gilt pictorial binding.The first part of the book is historical, champagne from its origins, its progress in the 14th century, the 17th, 18th, the conflict between Burgundy and Champagne, champagne in England. The second part describes the various vineyards, viticulture, manufacturing, large establishments of Reims, d'Epernay, Pierry, Ay, Mareuil, Avize and Rilly. Part three talks about the other sparkling wines of France: Saumur, Vouvray, Sauterne, Bourgogne, Jura, Rhone, concluding with Facts and Notes Respecting Sparkling Wine. To the rear are advertisements from producers such as Moët et Chandon, Deutz & Geldermann, and Vizetelly's catalogue of other published works.
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Price HK$ 20,000