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Results 9 - 15 of 15 results
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Transition - A Complete Run - Numbers 1-27. -
Eugene Jolas (editor)
1927 to 1938 - Transition Press, Paris - First Editions
A rare complete set of the most influential and important literary magazine between the wars. Edited by Eugene Jolas, contributors are a whose who of writers, poets and artists of this magnificent period, including but not limited to James Joyce, Ernest Hemingway, Gertrude Stein, Georges Braque, Kay Boyle, Elliot Paul, Man Ray, Robert McAlmon, Rainer Maria Rilke, Pablo Picasso, André Breton, William Carlos Williams, Robert Graves, Hart Crane, André Gide, Joan Miro, Max Ernst, Malcolm Cowley, Djuna Barnes, Franz Kafka, Harry Crosby, Archibald MacLeish, Samuel Beckett, Piet Mondrian, Constantin Brancusi, Henri Matisse, Cartier-Bresson, Dylan Thomas, Louis Aragon, Le Corbusier and Aaron Copland.
Numbers 1-20 published between April 1927 and June 1930 by Transition with Shakespeare and Co., in Paris. Numbers 21-24 published between March 1932 and June 1936 by The Servire Press in The Hague. Volumes 25-27 published between fall 1936 and May 1938 by Transition in New York.
Included with the set is the Gertrude Stein’s ‘An Elucidation, printed in Transition, April 1927’ in original wrappers, and ‘Transition Pamphlet No 1’ (supplement to Transition no 23, 1934-35) containing the ‘Testimony against Gertrude Stein’.
More details
Price HK$ 45,000
1927 to 1938 - Transition Press, Paris - First Editions
A rare complete set of the most influential and important literary magazine between the wars. Edited by Eugene Jolas, contributors are a whose who of writers, poets and artists of this magnificent period, including but not limited to James Joyce, Ernest Hemingway, Gertrude Stein, Georges Braque, Kay Boyle, Elliot Paul, Man Ray, Robert McAlmon, Rainer Maria Rilke, Pablo Picasso, André Breton, William Carlos Williams, Robert Graves, Hart Crane, André Gide, Joan Miro, Max Ernst, Malcolm Cowley, Djuna Barnes, Franz Kafka, Harry Crosby, Archibald MacLeish, Samuel Beckett, Piet Mondrian, Constantin Brancusi, Henri Matisse, Cartier-Bresson, Dylan Thomas, Louis Aragon, Le Corbusier and Aaron Copland.Numbers 1-20 published between April 1927 and June 1930 by Transition with Shakespeare and Co., in Paris. Numbers 21-24 published between March 1932 and June 1936 by The Servire Press in The Hague. Volumes 25-27 published between fall 1936 and May 1938 by Transition in New York.
Included with the set is the Gertrude Stein’s ‘An Elucidation, printed in Transition, April 1927’ in original wrappers, and ‘Transition Pamphlet No 1’ (supplement to Transition no 23, 1934-35) containing the ‘Testimony against Gertrude Stein’.
More details
Price HK$ 45,000
Rubaiyat of Omar Khayyam -
Omar Khayy
1920 - Constable and Company Limited, London - First Edition to be illustrated by Balfour
An elegantly bound edition of the Persian poem of life by the renowned 11th century philosopher, poet, mathematician, and astronomer Omar Khayyám, the first to be exquisitely illustrated by Ronal Balfour, with tipped-on plates, six in colour and thirty-two black and white, many of which are subtly highlighted in colour, together with numerous in text vignettes.
Come fill the cup, and in the fire of spring
Your winter garment of repentance fling:
The bird of time has but a little way
To flutter – and the bird is on the wing.
More details
Price HK$ 12,000
1920 - Constable and Company Limited, London - First Edition to be illustrated by Balfour
An elegantly bound edition of the Persian poem of life by the renowned 11th century philosopher, poet, mathematician, and astronomer Omar Khayyám, the first to be exquisitely illustrated by Ronal Balfour, with tipped-on plates, six in colour and thirty-two black and white, many of which are subtly highlighted in colour, together with numerous in text vignettes.Come fill the cup, and in the fire of spring
Your winter garment of repentance fling:
The bird of time has but a little way
To flutter – and the bird is on the wing.
More details
Price HK$ 12,000
The Life of the Bee -
Maurice Maeterlinck, Edward J. Detmold (illustrator), Alfred Sutro (translator)
1912 - George Allen &, London - Early Illustrated Edition
A large and beautifully illustrated volume. With thirteen mounted coloured plates by Edward Julius Detmold, whose love of natural history and talent (exhibiting works at the Royal Academy when he was 13 years old), have combined perfectly with Maeterlinck’s exuberantly poetic work, in which he expresses his philosophy of the human condition.
The renowned Belgian poet and dramatist offers brilliant proof in this, his most popular work, that ‘no living creature, not even man, has achieved in the centre of his sphere, what the bee has achieved.’ From their amazingly intricate feats of architecture to their intrinsic sense of self-sacrifice, Maeterlinck takes a ‘bee's-eye view’ of the most orderly society on Earth.
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Price HK$ 6,000
1912 - George Allen &, London - Early Illustrated Edition
A large and beautifully illustrated volume. With thirteen mounted coloured plates by Edward Julius Detmold, whose love of natural history and talent (exhibiting works at the Royal Academy when he was 13 years old), have combined perfectly with Maeterlinck’s exuberantly poetic work, in which he expresses his philosophy of the human condition.The renowned Belgian poet and dramatist offers brilliant proof in this, his most popular work, that ‘no living creature, not even man, has achieved in the centre of his sphere, what the bee has achieved.’ From their amazingly intricate feats of architecture to their intrinsic sense of self-sacrifice, Maeterlinck takes a ‘bee's-eye view’ of the most orderly society on Earth.
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Price HK$ 6,000
The Poetry of Sport -
Hedley Peek (editor)
1896 - Longmans, London and Bombay - First Edition
‘Haste, ranger, to the Athol mountains blue! Unleash the hounds, and let the bugles sing! The thousand traces in the morning dew, the bounding deer,the black-cock on the wing, bespeak the rout of Scotland’s gallant king...from cairn of Bruar to the dark Glen-Morre, the forest’s in a howl, and all is wild uproar!’
A handsomely bound edition, with a distinctly Glaswegian accent, being bound in Glasgow and owned by the renowned medical Professor David Fyfe Anderson.
Containing a chapter on classical allusions to sport by Andrew Lang, and a lively preface to the Badminton Library by A.E.T Watson. Accompanied with illustrations by artists A. Thorburn, Lucien Davis, and C.E Brock, among others, this is a lovely compilation of poetry on the subject of sport for young men in the late eighteen-hundreds, primarily depicting activities such as fishing, hunting, and shooting.
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Price HK$ 2,000
1896 - Longmans, London and Bombay - First Edition
‘Haste, ranger, to the Athol mountains blue! Unleash the hounds, and let the bugles sing! The thousand traces in the morning dew, the bounding deer,the black-cock on the wing, bespeak the rout of Scotland’s gallant king...from cairn of Bruar to the dark Glen-Morre, the forest’s in a howl, and all is wild uproar!’A handsomely bound edition, with a distinctly Glaswegian accent, being bound in Glasgow and owned by the renowned medical Professor David Fyfe Anderson.
Containing a chapter on classical allusions to sport by Andrew Lang, and a lively preface to the Badminton Library by A.E.T Watson. Accompanied with illustrations by artists A. Thorburn, Lucien Davis, and C.E Brock, among others, this is a lovely compilation of poetry on the subject of sport for young men in the late eighteen-hundreds, primarily depicting activities such as fishing, hunting, and shooting.
More details
Price HK$ 2,000
A Ballad Book -
Charles Kirkpatrick Sharpe, Sir Walter Scott, David Laing (editor)
1880 - William Blackwood and Sons, Edinburgh and London - First Edition
‘I think you do me much honour by preserving my scribbles’ writes the colourful and eccentric Sharpe in the tipped in letter that accompanies his finely bound Ballad Book, re-edited by David Laing, with additions from Sharpe's manuscripts, and which he first printed only 30 copies in 1823, although according to Henderson, the majority of the added ballads in 1880 were of more or less questionable authenticity (ODNB). The final portion of the book prints Sir Walter Scott’s commentary on the original poems, and is taken from correspondence between Scott and his friend Sharpe.
Scarce. Illustrated with a colour frontispiece portrait, woodblock engraving plate and headpiece (as used for the original 1823 edition).
A speculative note regarding the letter - As stated in the editor’s introduction (ix) ‘Mr Sharpe’s own annotated copy’ was carefully followed to produce this work, a copy that was ‘in the possession of Sir James Gibson-Craig’. Gibson-Craig had one of the finest collection of Scottish works ever assembled, and other correspondence from Sharpe to Gibson-Craig did begin with ‘Signor Mio’, leading us to speculate that this letter accompanied the original and rare 1823 printing of which only 30 were produced, and which in this case was later given by Sharpe to Gibson-Craig.
More details
Price HK$ 5,000
1880 - William Blackwood and Sons, Edinburgh and London - First Edition
‘I think you do me much honour by preserving my scribbles’ writes the colourful and eccentric Sharpe in the tipped in letter that accompanies his finely bound Ballad Book, re-edited by David Laing, with additions from Sharpe's manuscripts, and which he first printed only 30 copies in 1823, although according to Henderson, the majority of the added ballads in 1880 were of more or less questionable authenticity (ODNB). The final portion of the book prints Sir Walter Scott’s commentary on the original poems, and is taken from correspondence between Scott and his friend Sharpe.Scarce. Illustrated with a colour frontispiece portrait, woodblock engraving plate and headpiece (as used for the original 1823 edition).
A speculative note regarding the letter - As stated in the editor’s introduction (ix) ‘Mr Sharpe’s own annotated copy’ was carefully followed to produce this work, a copy that was ‘in the possession of Sir James Gibson-Craig’. Gibson-Craig had one of the finest collection of Scottish works ever assembled, and other correspondence from Sharpe to Gibson-Craig did begin with ‘Signor Mio’, leading us to speculate that this letter accompanied the original and rare 1823 printing of which only 30 were produced, and which in this case was later given by Sharpe to Gibson-Craig.
More details
Price HK$ 5,000
The Sensitive Plant -
Percy Bysshe Shelley, Charles Robinson (illustrator)
1911 - William Heinemann, London - First American Edition to be illustrated by Charles Robinson
The perfect marriage of Shelley’s exquisite masterpiece with Charles Robinson’s delicate illustrations. With an introduction by Edmond Gosse. A fine example in the original dust jacket.
‘For the Sensitive Plant has no bright flower;
Radiance and odour are not its dower;
It loves, even like Love, its deep heart is full,
It desires what it has not, the Beautiful!
‘When Shelley wrote ‘The Sensitive Plant’ he was drawing very near the end of his poetry. It was one of the poems belonging to the days at Pisa, whither the Shelleys had gone late in the January of 1820. In the next winter — a winter of many painful associations for him, and many discouragements and reminders of evil fortune — he wrote this mysterious song of beauty and death. The idea of it appears to have come to him from the flowers which Mrs. Shelley had collected round her in her own room at the house they occupied on the south side of the Arno.‘ (from the 1899 edition).
More details
Price HK$ 7,000
1911 - William Heinemann, London - First American Edition to be illustrated by Charles Robinson
The perfect marriage of Shelley’s exquisite masterpiece with Charles Robinson’s delicate illustrations. With an introduction by Edmond Gosse. A fine example in the original dust jacket.‘For the Sensitive Plant has no bright flower;
Radiance and odour are not its dower;
It loves, even like Love, its deep heart is full,
It desires what it has not, the Beautiful!
‘When Shelley wrote ‘The Sensitive Plant’ he was drawing very near the end of his poetry. It was one of the poems belonging to the days at Pisa, whither the Shelleys had gone late in the January of 1820. In the next winter — a winter of many painful associations for him, and many discouragements and reminders of evil fortune — he wrote this mysterious song of beauty and death. The idea of it appears to have come to him from the flowers which Mrs. Shelley had collected round her in her own room at the house they occupied on the south side of the Arno.‘ (from the 1899 edition).
More details
Price HK$ 7,000
Le Bon-Bock - 321 Letterpress Invitations in two Folio Albums -
Various
1886-1936 - Printed for Le Bon-Bock, Paris
An incredibly rare collection of 321 original illustrated letterpress dinner invitations from Le Bon-Bock society (each approximately 33x23cm), whose soirees on the second Tuesday of each month near Montmartre were frequented by Paris’ most flamboyant and original writers and artists of La Belle Époque and Les Années Folles.
The artists competed to have their work used for the next invitation, and together with their work each invitation provides an account of the previous dinners activities, beginning with opening speeches, notices and announcements, and then other activities, which usually include poems, prose, texts, songs, instrumental pieces.
The invitations are dated from April 1886 to April 1936, with the first thirty or so addressed to Monsieur Régnier, one of the founders of the association. Individually rare, a collection of this size and association provides one of the most important associations of these periods in Paris.
Inspired by Edouard Manet’s painting Le Bon Bock (The Good Pint), and the democratic, nationalistic ideals that it symbolised, Emile Bellot (the printmaker and model for Manet’s beer drinker) established the Bon-Bock Society in 1875. Consisting mainly of artists, writers and performers, the society sought to re-define France’s national spirit by delving into the country’s cultural past. The inseparable ideals of freedom and humour within their community created opportunities for artistic experimentation; the Bon Bockers and their carefree attitude would go on to inspire generations of Montmartre natives for years to come.
More details
Price HK$ 90,000
1886-1936 - Printed for Le Bon-Bock, Paris
An incredibly rare collection of 321 original illustrated letterpress dinner invitations from Le Bon-Bock society (each approximately 33x23cm), whose soirees on the second Tuesday of each month near Montmartre were frequented by Paris’ most flamboyant and original writers and artists of La Belle Époque and Les Années Folles. The artists competed to have their work used for the next invitation, and together with their work each invitation provides an account of the previous dinners activities, beginning with opening speeches, notices and announcements, and then other activities, which usually include poems, prose, texts, songs, instrumental pieces.
The invitations are dated from April 1886 to April 1936, with the first thirty or so addressed to Monsieur Régnier, one of the founders of the association. Individually rare, a collection of this size and association provides one of the most important associations of these periods in Paris.
Inspired by Edouard Manet’s painting Le Bon Bock (The Good Pint), and the democratic, nationalistic ideals that it symbolised, Emile Bellot (the printmaker and model for Manet’s beer drinker) established the Bon-Bock Society in 1875. Consisting mainly of artists, writers and performers, the society sought to re-define France’s national spirit by delving into the country’s cultural past. The inseparable ideals of freedom and humour within their community created opportunities for artistic experimentation; the Bon Bockers and their carefree attitude would go on to inspire generations of Montmartre natives for years to come.
More details
Price HK$ 90,000
Results 9 - 15 of 15 results
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