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Flying Colours. Including A Ship Of The Line -
C. S. Forester
1938 - Michael Joseph Ltd. in conjunction with The Book Society Ltd., London - First Edition
One finely bound volume containing two classic Hornblower novels, in which Captain Horatio Hornblower commands his first ship of the line, HMS Sutherland. A Ship Of The Line and Flying Colours, are the second and third books in the Horatio Hornblower series. This is the first publication of Flying Colours which was released shortly afterwards as a stand alone title, making this the true first edition.
A Ship of the Line - May 1810, seventeen years deep into the Napoleonic Wars. Captain Horatio Hornblower is newly in command of his first ship of the line, the seventy-four-gun HMS Sutherland, which he deems ‘the ugliest and least desirable two-decker in the Navy List’. Moreover, she is 250 men short of a full crew, so Hornblower must enlist and train ‘poachers, bigamists, sheepstealers’, and other landlubbers. By the time the Sutherland reaches the blockaded Catalonian coast of Spain, the crew is capable of staging five astonishing solo raids against the French. But the grisly prospect of defeat and capture looms for both captain and crew as the Sutherland single-handedly takes on four French ships.
Flying Colours - Forced to surrender the Sutherland after a long and bloody battle, Captain Horatio Hornblower now bides his time as a prisoner in a French fortress. Within days he and his first lieutenant, Bush, who was crippled in the last fight, are to be taken to Paris to be tried on trumped-up charges of violating the laws of war, and most probably executed as part of Napoleon's attempt to rally the war-weary empire behind him. Even if Hornblower escapes this fate and somehow finds his way back to England, he will face court-martial for his surrender of a British ship. As fears for his life and his reputation compete in his mind with worries about his pregnant wife and his possibly widowed lover, the indomitable captain impatiently awaits the chance to make his next move.
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Price HK$ 5,000
1938 - Michael Joseph Ltd. in conjunction with The Book Society Ltd., London - First Edition
One finely bound volume containing two classic Hornblower novels, in which Captain Horatio Hornblower commands his first ship of the line, HMS Sutherland. A Ship Of The Line and Flying Colours, are the second and third books in the Horatio Hornblower series. This is the first publication of Flying Colours which was released shortly afterwards as a stand alone title, making this the true first edition.A Ship of the Line - May 1810, seventeen years deep into the Napoleonic Wars. Captain Horatio Hornblower is newly in command of his first ship of the line, the seventy-four-gun HMS Sutherland, which he deems ‘the ugliest and least desirable two-decker in the Navy List’. Moreover, she is 250 men short of a full crew, so Hornblower must enlist and train ‘poachers, bigamists, sheepstealers’, and other landlubbers. By the time the Sutherland reaches the blockaded Catalonian coast of Spain, the crew is capable of staging five astonishing solo raids against the French. But the grisly prospect of defeat and capture looms for both captain and crew as the Sutherland single-handedly takes on four French ships.
Flying Colours - Forced to surrender the Sutherland after a long and bloody battle, Captain Horatio Hornblower now bides his time as a prisoner in a French fortress. Within days he and his first lieutenant, Bush, who was crippled in the last fight, are to be taken to Paris to be tried on trumped-up charges of violating the laws of war, and most probably executed as part of Napoleon's attempt to rally the war-weary empire behind him. Even if Hornblower escapes this fate and somehow finds his way back to England, he will face court-martial for his surrender of a British ship. As fears for his life and his reputation compete in his mind with worries about his pregnant wife and his possibly widowed lover, the indomitable captain impatiently awaits the chance to make his next move.
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Price HK$ 5,000
Transition - A Complete Run - Numbers 1-27. -
Eugene Jolas (editor)
1927 to 1938 - Transition Press, Paris - First Editions
A rare complete set of the most influential and important literary magazine between the wars. Edited by Eugene Jolas, contributors are a whose who of writers, poets and artists of this magnificent period, including but not limited to James Joyce, Ernest Hemingway, Gertrude Stein, Georges Braque, Kay Boyle, Elliot Paul, Man Ray, Robert McAlmon, Rainer Maria Rilke, Pablo Picasso, André Breton, William Carlos Williams, Robert Graves, Hart Crane, André Gide, Joan Miro, Max Ernst, Malcolm Cowley, Djuna Barnes, Franz Kafka, Harry Crosby, Archibald MacLeish, Samuel Beckett, Piet Mondrian, Constantin Brancusi, Henri Matisse, Cartier-Bresson, Dylan Thomas, Louis Aragon, Le Corbusier and Aaron Copland.
Numbers 1-20 published between April 1927 and June 1930 by Transition with Shakespeare and Co., in Paris. Numbers 21-24 published between March 1932 and June 1936 by The Servire Press in The Hague. Volumes 25-27 published between fall 1936 and May 1938 by Transition in New York.
Included with the set is the Gertrude Stein’s ‘An Elucidation, printed in Transition, April 1927’ in original wrappers, and ‘Transition Pamphlet No 1’ (supplement to Transition no 23, 1934-35) containing the ‘Testimony against Gertrude Stein’.
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Price HK$ 45,000
1927 to 1938 - Transition Press, Paris - First Editions
A rare complete set of the most influential and important literary magazine between the wars. Edited by Eugene Jolas, contributors are a whose who of writers, poets and artists of this magnificent period, including but not limited to James Joyce, Ernest Hemingway, Gertrude Stein, Georges Braque, Kay Boyle, Elliot Paul, Man Ray, Robert McAlmon, Rainer Maria Rilke, Pablo Picasso, André Breton, William Carlos Williams, Robert Graves, Hart Crane, André Gide, Joan Miro, Max Ernst, Malcolm Cowley, Djuna Barnes, Franz Kafka, Harry Crosby, Archibald MacLeish, Samuel Beckett, Piet Mondrian, Constantin Brancusi, Henri Matisse, Cartier-Bresson, Dylan Thomas, Louis Aragon, Le Corbusier and Aaron Copland.Numbers 1-20 published between April 1927 and June 1930 by Transition with Shakespeare and Co., in Paris. Numbers 21-24 published between March 1932 and June 1936 by The Servire Press in The Hague. Volumes 25-27 published between fall 1936 and May 1938 by Transition in New York.
Included with the set is the Gertrude Stein’s ‘An Elucidation, printed in Transition, April 1927’ in original wrappers, and ‘Transition Pamphlet No 1’ (supplement to Transition no 23, 1934-35) containing the ‘Testimony against Gertrude Stein’.
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Price HK$ 45,000
transition stories Twenty-three Stories from transition -
Eugene Jolas, Robert Sage (editors)
1929 - Walter V. McKee, New York - First Edition
‘It is necessary to break up the word, to construct an organic world of the imagination, and to give life a changed and spontaneous reality.’ – Eugene Jolas, from his preface.
The first collection of stories from avant-garde, inter-war literary journal, transition, featuring works by Kay Boyle, Franz Kafka, Gertrude Stein, Eliiot Paul, and Philippe Soupault and others, together with segments of James Joyce’s then-unfinished novel, Finnegan’s Wake, published here as ‘A Muster from Work in Progress.’
Founded in 1927 in Paris by poet Eugene Jolas (himself aided by expatriate bookseller Sylvia Beach and ‘lost generation’ bon vivant Harry Crosby), transition ran until the spring of 1938. In that 11 years and 27 issues – its experimental bent always unapologetically overt – the journal amassed an astounding pool of works by a trans-national cadre of writers, Surrealists, political activists, Dadaists, critics, and artists including Samuel Beckett, Ernest Hemingway, Picasso, William Carlos Williams, Juan Gris, Man Ray, Dylan Thomas, Joan Miró, and Paul Bowles, among many others, and as such, publishing for the first time some of the most linguistically and visually innovative art of the modern era.
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Price HK$ 3,500
1929 - Walter V. McKee, New York - First Edition
‘It is necessary to break up the word, to construct an organic world of the imagination, and to give life a changed and spontaneous reality.’ – Eugene Jolas, from his preface.The first collection of stories from avant-garde, inter-war literary journal, transition, featuring works by Kay Boyle, Franz Kafka, Gertrude Stein, Eliiot Paul, and Philippe Soupault and others, together with segments of James Joyce’s then-unfinished novel, Finnegan’s Wake, published here as ‘A Muster from Work in Progress.’
Founded in 1927 in Paris by poet Eugene Jolas (himself aided by expatriate bookseller Sylvia Beach and ‘lost generation’ bon vivant Harry Crosby), transition ran until the spring of 1938. In that 11 years and 27 issues – its experimental bent always unapologetically overt – the journal amassed an astounding pool of works by a trans-national cadre of writers, Surrealists, political activists, Dadaists, critics, and artists including Samuel Beckett, Ernest Hemingway, Picasso, William Carlos Williams, Juan Gris, Man Ray, Dylan Thomas, Joan Miró, and Paul Bowles, among many others, and as such, publishing for the first time some of the most linguistically and visually innovative art of the modern era.
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Price HK$ 3,500