1928 - The Nonesuch Press, London - Limited edition of 1475 copies of which this is number 442.
‘Midway upon the journey of our life I found myself in a dark wood, where the right of way was lost.’ – Hell.

To run over better waters the little vessel of my genius now hoists her sails, as she leaves behind her a sea so cruel.’ – Purgatory.

In the heaven which most of His light I have been, and have seen things which he who descends from there above neither knows how nor has power to recount.’ – Paradise.

A gorgeous large limited edition of this medieval epic, combining Botticelli’s 42 sepia drawings (34 on double sheet, 8 on single sheet) with Dante’s
Divina Commedia in both Italian and English. Showing only a modicum of the usual spine fading to which this vellum is notoriously prone, and in the original matching leather trimmed and felt lined slipcase.

Reportedly based on Dante’s experiences during his banishment from Florence, this reinterpretation of Christian themes had a seminal influence on philosophy, literature, and art, inspiring Chaucer, John Milton, Salvadore Dali, and T.S. Eliot, among many others.

‘Dante and Botticelli represented the Florence of two very different generations. No Renaissance artist contemplated the verities of Christianity with a depper faith. Botticelli’s drawings are so much more than a commentary on, or a two-dimensional summation of, the
Divina Commedia. They are breathtakingly beautiful. And in realising his project, Botticelli refined his own mysticisim and thus anticipated the intense lyricism of his final years’ – Francis Russell on the 2001 Botticelli exhibition at the Royal Academy (Country Life). 
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Price HK$ 19,000



Almanach du Masque d'Or - Edouard Halouze (illustrator)

1920 - chez Devambez, 23 - Premiere Année
A lovely copy of this delightful Almanach. A stunning example of beauty, finesse and luxury from the Art-Deco period. Only 1000 copies were printed and this is numbered 68. The hand-coloured illustrations are by Edouard Halouze and include four plates of the seasons as well as 17 full page plates which decorate the ‘Petit Guide de la Vie Elégante’ presented in the form of a collection of advertisements for the Moulin Bleu, Cartier, Prunier, Gaveau, les couturiers Raimon et Martial & Armand, etc. Suitably housed in a one of a kind, hand-tooled case by Bayntun-Riviere. 
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Price HK$ 22,000



Grandeur et Suprematie de Peking - Alphonse Hubrecht

1928 - Imprimerie des Lazaristes du Pé-t'ang, Peking - First and Limited Edition number XXIII of 50 ‘Exemplaires de Grand Luxe’ printed on ‘Papier de Grand Luxe’
A stunningly silk bound copy of this wonderful work, text in French, illustrated with seventy full page halftone photographic plates [with 140 photographs], 560 woodblock in-text engravings, ten full page woodblock plates, a full page plan comparing Peking through the ages, woodblock initials incorporating monuments of Peking, and 220 zincographic engravings of Chinese art [Zincography was a planographic printing process that used zinc plates].

This copy, in a variant binding of orange pictorial silk, is also one of a hundred copies that contained an additional eight full page hand water-coloured woodblock prints of nine porcelain works from the Louvre Museum [Opposite pages 460, 452, 412 [2], 404, 188, 180, 124, 116], water-coloured illustrated limitation page and extra illustrated title page, thirty water-coloured large initials with floral decoration.

This comprehensive work is divided in two parts, one historical, one descriptive. The historical part begins with the Mongol Empire [13th to 14th Century] and ends at the first decades of the Republic of China [1912]. The descriptive part describes the palaces, temples, Imperial Tombs, and also family life in China, social life, beliefs, etc.’ [
Bibliotheca Wittockiana 123] 
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Price HK$ 38,000



Zos-Kia - Gavin W. Semple

1995 - Fulgar BCM , London - First Edition
‘....we find him of the company of Blake and Fuseli and their circle; but far superior to any of them in the mastery of representational craft.’

A fine, bright copy of Gavin W. Semple’s
Zos-Kia, an essay exploring the life and methodology of famed occultist, artist and writer, Austin Osman Spare, illustrated throughout with 8 full page colour plates, 2 black and white photographs and numerous full page and in-text drawings, together with a woodblock print on rust coloured paper laid in.

As one of the most fascinating figures of the surrealist movement in 1920’s Europe, Spare captured the public imagination with his etchings, drawings and paintings, and became the youngest entrant to the Royal Academy summer exhibition in 1904. Gavin Semple’s
Zos Kia is unrivalled in its critical examination of Spare’s influences and methodology, and contains previously unpublished excerpts from Spare’s last grimoire ‘The Logomachy of Zos’ 
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Price HK$ 3,000



Le Bon Bock - Various

1886 to 1906 - Privately Printed by Glyptographie Silvestre [1886-91] and then by E. Bernard [1892-1906] , Paris
An incredibly rare collection of nearly 300 original illustrated letterpress dinner invitations from Le Bon Bock society, whose soirees on the second Tuesday of each month in near Montmartre were frequented by Paris’ most flamboyant and original writers and artists of the La Belle Époque.

The artists competed to have their work used for the next invitation, and together with their work each invitation provides an account of the previous dinners activities, beginning with opening speeches, notices and announcements, and then other activities, which usually include poems, prose, texts, songs, instrumental pieces.

The invitations are dated from April 7th 1886 to October 5th 1906, with the first thirty or so addressed to Monsieur Régnier, one of the founders of the association. Individually rare, a collection of this size and association provides one of the most important associations of the Belle Époque in Paris.

Inspired by Edouard Manet’s painting
Le Bon Bock (The Good Pint), and the democratic, nationalistic ideals that it symbolised, Emile Bellot (the printmaker and model for Manet’s beer drinker) established the Bon Bock Society in 1875. Consisting mainly of artists, writers and performers, the society sought to re-define France’s national spirit by delving into the country’s cultural past. The inseparable ideals of freedom and humour within their community created opportunities for artistic experimentation; the Bon Bockers and their carefree attitude would go on to inspire generations of Montmartre natives for years to come. 
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Price HK$ 50,000