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New Topographics - Signed -
Robert Adams, Lewis Baltz, Bernd and Hilla Becher, et al.
2009 - Steidl, Göttingen - First Edition
A fine first edition of this’ manifesto for a new vision of landscape photography’. [Blind Magazine, The 50 Most Influential Photobooks of All Time]
Illustrated from photographs by Robert Adams, Lewis Baltz, Bernd and Hilla Becher, Joe Deal, Frank Gohlke, Nicholas Nixon, John Schott, Stephen Shore, and Henry Wessel, Jr.
Signed by Frank Gohlke, William Jenkins, and Britt Salvesen.
William Jenkins was the original curator and the man who named the exhibition—and identified what would become the ‘New Topographics’ movement. Britt Salvesen was the Director and Chief Curator at the Center for Creative Photography in Tucson when the ‘New Topographics’ show was revisited.
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Price HK$ 6,000
2009 - Steidl, Göttingen - First Edition
A fine first edition of this’ manifesto for a new vision of landscape photography’. [Blind Magazine, The 50 Most Influential Photobooks of All Time]Illustrated from photographs by Robert Adams, Lewis Baltz, Bernd and Hilla Becher, Joe Deal, Frank Gohlke, Nicholas Nixon, John Schott, Stephen Shore, and Henry Wessel, Jr.
Signed by Frank Gohlke, William Jenkins, and Britt Salvesen.
William Jenkins was the original curator and the man who named the exhibition—and identified what would become the ‘New Topographics’ movement. Britt Salvesen was the Director and Chief Curator at the Center for Creative Photography in Tucson when the ‘New Topographics’ show was revisited.
More details
Price HK$ 6,000
Russian Ballet. Camera Studies by Gordon Anthony. With an Introduction by Arnold Haskell -
Gordon Anthony
1939 - Geoffrey Bles, London - First Edition
Illustrated with 96 tipped-in black and white photographs of Russian ballet stars, including a frontispiece.
A series of photographic studies of the stars of both Russian ballet companies at the time, including a portrait of the choreographer Michael Fokine, young Serge Lifar, Irina Baronova, Anton Dolin, Alexandra Danilova, Frederick Franklin, Tamara Grigorieva, David Lichine, Alicia Markova, Marc Platoff, Leonide Massine, Mia Slavenska and others.
Gordon Anthony was born James Gordon Dawson Stannus in Wicklow, Ireland on 23 December 1902. He started working in photography in 1926, making images of the students at his sister's ballet school in London. In 1933 he became the portrait photographer to the Shakespeare Memorial Theatre, Stratford. His photographs helped to make the Royal Ballet known across the world in the 1930s. In 1948, he published the first ever book of colour photography in Great Britain, Studies of Dancers.
Anthony's photographs are held in major collections including the Victoria and Albert Museum and the National Portrait Gallery.
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Price HK$ 8,000
1939 - Geoffrey Bles, London - First Edition
Illustrated with 96 tipped-in black and white photographs of Russian ballet stars, including a frontispiece.A series of photographic studies of the stars of both Russian ballet companies at the time, including a portrait of the choreographer Michael Fokine, young Serge Lifar, Irina Baronova, Anton Dolin, Alexandra Danilova, Frederick Franklin, Tamara Grigorieva, David Lichine, Alicia Markova, Marc Platoff, Leonide Massine, Mia Slavenska and others.
Gordon Anthony was born James Gordon Dawson Stannus in Wicklow, Ireland on 23 December 1902. He started working in photography in 1926, making images of the students at his sister's ballet school in London. In 1933 he became the portrait photographer to the Shakespeare Memorial Theatre, Stratford. His photographs helped to make the Royal Ballet known across the world in the 1930s. In 1948, he published the first ever book of colour photography in Great Britain, Studies of Dancers.
Anthony's photographs are held in major collections including the Victoria and Albert Museum and the National Portrait Gallery.
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Price HK$ 8,000
Le Paysan de Paris – The Peasant of Paris - Signed by Henri Cartier-Bresson -
Louis Aragon, Henri Cartier-Bresson
1994 - The Limited editions Club, New York - Number 89 of 300 copies.
‘I was seeking… a new kind of novel that would break all the traditional rules governing the writing of fiction… a novel that the critics would be obliged to approach empty-handed’ – Louis Aragon.
A large (32x42cm) beautiful and superbly produced limited edition folio of Louis Aragon’s outstanding Surrealist novel – in which he compares a poet’s love for his city to a peasant’s love for his land – illustrated and signed by Henri Cartier-Bresson, one of only 300 copies. With the text in English, translated by Simon Watson-Taylor.
Stunningly illustrated with seven original lithographs and a photogravure by Henri Cartier-Bresson. The lithographs were pulled by Bruce Porter at his Trestle Editions studio in New York. The photogravure was printed by Jon Goodman on French-made Arjo Wiggins stock.
Bound in silk and provided with a matching felt lined silk slipcase.
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Price HK$ 9,000
1994 - The Limited editions Club, New York - Number 89 of 300 copies.
‘I was seeking… a new kind of novel that would break all the traditional rules governing the writing of fiction… a novel that the critics would be obliged to approach empty-handed’ – Louis Aragon.A large (32x42cm) beautiful and superbly produced limited edition folio of Louis Aragon’s outstanding Surrealist novel – in which he compares a poet’s love for his city to a peasant’s love for his land – illustrated and signed by Henri Cartier-Bresson, one of only 300 copies. With the text in English, translated by Simon Watson-Taylor.
Stunningly illustrated with seven original lithographs and a photogravure by Henri Cartier-Bresson. The lithographs were pulled by Bruce Porter at his Trestle Editions studio in New York. The photogravure was printed by Jon Goodman on French-made Arjo Wiggins stock.
Bound in silk and provided with a matching felt lined silk slipcase.
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Price HK$ 9,000
I Want to Take Picture - Signed -
Bill Burke
1987 - Nexus Press, Atlanta - First Edition
Illustrated throughout with duotones and halftones from photographs by Bill Burke; some colour reproductions and photographs.
Signed by Bill Burke with inscription to Terry Etherton within a trace of the photographer's left hand.
A photographic journal taken during the author's trips through Thailand along the Cambodian border in the early 1980’s, particularly focusing on the after-effects of the Khmer Rouge regime in Cambodia.
‘In 1982, years after Vietnam, I decided to give myself my own Southeast Asia experience. I wanted to make pictures in a place where I didn't know the rules, where I'd be off balance. Friends who had been there recommended Thailand; nice people, easy transportation, good food. Another friend told me that as long as I was going to Thailand I should go see the refugees coming out of Cambodia. He set me up with the International Rescue Committee, which was working at the Thai-Cambodian border.’ – Bill Burke.
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Price HK$ 8,000
1987 - Nexus Press, Atlanta - First Edition
Illustrated throughout with duotones and halftones from photographs by Bill Burke; some colour reproductions and photographs.Signed by Bill Burke with inscription to Terry Etherton within a trace of the photographer's left hand.
A photographic journal taken during the author's trips through Thailand along the Cambodian border in the early 1980’s, particularly focusing on the after-effects of the Khmer Rouge regime in Cambodia.
‘In 1982, years after Vietnam, I decided to give myself my own Southeast Asia experience. I wanted to make pictures in a place where I didn't know the rules, where I'd be off balance. Friends who had been there recommended Thailand; nice people, easy transportation, good food. Another friend told me that as long as I was going to Thailand I should go see the refugees coming out of Cambodia. He set me up with the International Rescue Committee, which was working at the Thai-Cambodian border.’ – Bill Burke.
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Price HK$ 8,000
The Decisive Moment -
Henri Cartier-Bresson
1952 - Simon and Schuster in collaboration with Éditions Verve of Paris, New York - First Edition in English
One of the most important photography books of the 20th century, containing 126 full or double page heliogravures, considered ‘unique in providing an international portrait or impression of humanity covering the two decades prior to its publication’. Divided into two chronological and geographical sections: the first spans the years 1932 to 1947 and is made up of photographs taken in the west; the second spans 1947 to 1952 and was shot mostly in the east.
Prefaced by Cartier-Bresson’s 4,500-word philosophical essay, whose keynote ‘There is nothing in this world that does not have a decisive moment.’ was taken from the 17th century Cardinal de Reitz.
‘The idea of the 'decisive moment' is one of the most enduring in photographic literature, and no one has articulated it better than its coiner, in his preface to this book: 'To me, photography is the simultaneous recognition, in a fraction of a second, of the significance of an event as well as of a precise organization of forms which give that event its proper expression.’’ - David Levi Strauss.
An elusively fine copy, the book without the commonly found chips to spine, in a superior example of the delicate dust jacket, both showing the striking illustration provided by Cartier-Bresson’s friend Henri Matisse. The original 12 leaf ‘Captions’ pamphlet laid in, as published.
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Price HK$ 19,000
1952 - Simon and Schuster in collaboration with Éditions Verve of Paris, New York - First Edition in English
One of the most important photography books of the 20th century, containing 126 full or double page heliogravures, considered ‘unique in providing an international portrait or impression of humanity covering the two decades prior to its publication’. Divided into two chronological and geographical sections: the first spans the years 1932 to 1947 and is made up of photographs taken in the west; the second spans 1947 to 1952 and was shot mostly in the east.Prefaced by Cartier-Bresson’s 4,500-word philosophical essay, whose keynote ‘There is nothing in this world that does not have a decisive moment.’ was taken from the 17th century Cardinal de Reitz.
‘The idea of the 'decisive moment' is one of the most enduring in photographic literature, and no one has articulated it better than its coiner, in his preface to this book: 'To me, photography is the simultaneous recognition, in a fraction of a second, of the significance of an event as well as of a precise organization of forms which give that event its proper expression.’’ - David Levi Strauss.
An elusively fine copy, the book without the commonly found chips to spine, in a superior example of the delicate dust jacket, both showing the striking illustration provided by Cartier-Bresson’s friend Henri Matisse. The original 12 leaf ‘Captions’ pamphlet laid in, as published.
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Price HK$ 19,000
A Way of Seeing. Photographs of New York -
Helen Levitt, James Agee
1965 - The Viking Press, New York - First Edition
A fine first edition, of this important photographic work.
In 1945 Photographer Levitt and Pulitzer Prize winning author James Agee worked together in 1945 on a documentary film shot in Harlem, these photographs were taken on the streets of Harlem and the Lower East Side in the late 1930’s and 1940s, but the project remained unpublished until ‘A Way of Seeing’ in 1965.
In James Agee's words, ‘‘Levitt’s photographs seem to me as beautiful, perceptive, satisfying, and enduring as any lyrical work that I know… an uninsistent but irrefutable manifesto of a way of seeing, and, in a gentle and wholly unpretentious way, a major poetic work’.
‘Since its first publication in 1965, Helen Levitt’s collection of photographs taken on the streets of New York in the 1940s has been a classic of its kind. Produced in collaboration with writer James Agee, who provided the book’s introduction. Levitt’s focus on marginalized children and communities offers a compassionate perspective. His work also set a new standard for authenticity and poetic storytelling in street photography. A Way of Seeing remains a benchmark for those seeking humanity in their images.’ – The 50 Most Influential Photobooks of All Time – Blind Magazine, January 2025.
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Price HK$ 10,000
1965 - The Viking Press, New York - First Edition
A fine first edition, of this important photographic work.In 1945 Photographer Levitt and Pulitzer Prize winning author James Agee worked together in 1945 on a documentary film shot in Harlem, these photographs were taken on the streets of Harlem and the Lower East Side in the late 1930’s and 1940s, but the project remained unpublished until ‘A Way of Seeing’ in 1965.
In James Agee's words, ‘‘Levitt’s photographs seem to me as beautiful, perceptive, satisfying, and enduring as any lyrical work that I know… an uninsistent but irrefutable manifesto of a way of seeing, and, in a gentle and wholly unpretentious way, a major poetic work’.
‘Since its first publication in 1965, Helen Levitt’s collection of photographs taken on the streets of New York in the 1940s has been a classic of its kind. Produced in collaboration with writer James Agee, who provided the book’s introduction. Levitt’s focus on marginalized children and communities offers a compassionate perspective. His work also set a new standard for authenticity and poetic storytelling in street photography. A Way of Seeing remains a benchmark for those seeking humanity in their images.’ – The 50 Most Influential Photobooks of All Time – Blind Magazine, January 2025.
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Price HK$ 10,000
Evidence - Signed -
Larry Sultan, Mike Mandel
1977 - Clatworthy Colorvues, Greenbrae - First Edition
Fine first edition of this ‘pioneering work in photography's engagement with meaning and context’ [Blind Magazine, The 50 Most Influential Photobooks of All Time]
Signed by both Larry Sultan and Mike Mandel.
With 60 halftones from photographs, and an afterword by Robert F. Forth.
Described by Martin Parr in ‘The Photobook: A History’, as ‘one of the most beautiful, dense and puzzling photobooks in existence, an endless visual box of tricks’.
Sultan and Mandel sifted through thousands of photographs in the files of the Bechtel Corporation, the Los Angeles Police Department, the Jet Propulsion Laboratories, the US Department of the Interior, Stanford Research Institute and many other corporations, institutions, and government agencies looking for photographs that were made and used as documents and objective instruments, as evidence.
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Price HK$ 15,000
1977 - Clatworthy Colorvues, Greenbrae - First Edition
Fine first edition of this ‘pioneering work in photography's engagement with meaning and context’ [Blind Magazine, The 50 Most Influential Photobooks of All Time]Signed by both Larry Sultan and Mike Mandel.
With 60 halftones from photographs, and an afterword by Robert F. Forth.
Described by Martin Parr in ‘The Photobook: A History’, as ‘one of the most beautiful, dense and puzzling photobooks in existence, an endless visual box of tricks’.
Sultan and Mandel sifted through thousands of photographs in the files of the Bechtel Corporation, the Los Angeles Police Department, the Jet Propulsion Laboratories, the US Department of the Interior, Stanford Research Institute and many other corporations, institutions, and government agencies looking for photographs that were made and used as documents and objective instruments, as evidence.
More details
Price HK$ 15,000