Children
Beatrix Potter
Campfire & Wigwam
Eloise & Madeline
On The Water
Pets
Winnie-The-Pooh
Fairy Tales
The Girl’s Biggest Book -
Ethel Talbot, Violet Methley, L. Dickerson-Watkins, May Wynne, George Surrey, Bessie MacArthur, Estrith Ma
1936 Circa - Collins’ Clear-Type Press, London and Glasgow - First Edition
A bright copy with twenty-four stories for modern sporty girls, memorable titles include Reefing on the Great Barrier Reef, Pelling Pulls it Through, A Visit to a Modern Film Studio, Prudence to the Rescue and The Durzie and the Dhobie.
Profusely illustrated with three full page colour plates, and black and white vignettes throughout.
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Price HK$ 900
1936 Circa - Collins’ Clear-Type Press, London and Glasgow - First Edition
A bright copy with twenty-four stories for modern sporty girls, memorable titles include Reefing on the Great Barrier Reef, Pelling Pulls it Through, A Visit to a Modern Film Studio, Prudence to the Rescue and The Durzie and the Dhobie.Profusely illustrated with three full page colour plates, and black and white vignettes throughout.
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Price HK$ 900
Eloise -
Kay Thompson, Hilary Knight (illustrator)
1955 - Simon and Schuster, New York - First Edition
‘Anyone who fears that the whole human race has been turned out on the same assembly line had better make the acquaintance of Eloise. She is the raw material of genius.’ – New York Herald Tribune Book Review.
‘I am Eloise. I am six. I live at the Plaza hotel.’
With those immortal words, we are introduced to the irreverent and hilarious young occupant of the Plaza, the quirky and ever-lovable Eloise, (rumoured to have been modeled on Kay Thompson’s young goddaughter, Liza Minnelli)...
Accompanied by her English Nanny, loyal pug, and pet turtle, Eloise enjoys spending her days riding the elevator, adding her crayon art to the walls, and avoiding homework at all costs. Selling over 150’000 copies within the first two years of its publication, Knight’s protagonist went on to become one of the most influential and iconic characters of children’s literature, brought to life by Hilary Knight’s brilliant illustrations, combining child-like wonder with warmth and comedy.
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Price HK$ 19,500
1955 - Simon and Schuster, New York - First Edition
‘Anyone who fears that the whole human race has been turned out on the same assembly line had better make the acquaintance of Eloise. She is the raw material of genius.’ – New York Herald Tribune Book Review.‘I am Eloise. I am six. I live at the Plaza hotel.’
With those immortal words, we are introduced to the irreverent and hilarious young occupant of the Plaza, the quirky and ever-lovable Eloise, (rumoured to have been modeled on Kay Thompson’s young goddaughter, Liza Minnelli)...
Accompanied by her English Nanny, loyal pug, and pet turtle, Eloise enjoys spending her days riding the elevator, adding her crayon art to the walls, and avoiding homework at all costs. Selling over 150’000 copies within the first two years of its publication, Knight’s protagonist went on to become one of the most influential and iconic characters of children’s literature, brought to life by Hilary Knight’s brilliant illustrations, combining child-like wonder with warmth and comedy.
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Price HK$ 19,500
Eloise in Paris -
Kay Thompson, Hilary Knight (illustrator)
1957 - Simon and Schuster, New York - First Edition
‘Oh my Lord we are going to Paris France, to get roses in our cheeks!’
The second book in the famous children's series with lovely illustrations by Hilary Knight. Starring the magnificently precocious Eloise, who can become dangerously influential to a daughter's life. A wonderful way of learning about Paris.
‘Pas de quoi d'accord and zut!’
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Price HK$ 2,000
1957 - Simon and Schuster, New York - First Edition
‘Oh my Lord we are going to Paris France, to get roses in our cheeks!’ The second book in the famous children's series with lovely illustrations by Hilary Knight. Starring the magnificently precocious Eloise, who can become dangerously influential to a daughter's life. A wonderful way of learning about Paris.
‘Pas de quoi d'accord and zut!’
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Price HK$ 2,000
The Lord of the Rings. Being: The Fellowship of the Ring, The Two Towers, and The Return of the King. -
J.R.R. Tolkien
1955 - 1956 - George Allen & Unwin Ltd, London
‘One Ring to rule them all, One Ring to find them,
One Ring to bring them all and in the darkness bind them
In the Land of Mordor where the Shadows lie.’
A handsome bound set of these early printings of Tolkien’s epic fantasy, and one of the most memorable stories of the 20th century, the tale of young Hobbit Frodo Baggins and his faithful band of companions as they journey across Middle-Earth to destroy the Ring of Power and the evil lord Sauron.
Tolkien’s folding maps of middle earth bound in at the rear of each volume.
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Price HK$ 10,000
1955 - 1956 - George Allen & Unwin Ltd, London
‘One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkness bind them
In the Land of Mordor where the Shadows lie.’
A handsome bound set of these early printings of Tolkien’s epic fantasy, and one of the most memorable stories of the 20th century, the tale of young Hobbit Frodo Baggins and his faithful band of companions as they journey across Middle-Earth to destroy the Ring of Power and the evil lord Sauron.
Tolkien’s folding maps of middle earth bound in at the rear of each volume.
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Price HK$ 10,000
Mary Poppins -
P. L. Travers, Mary Shepard (illustrator)
1934 - Gerald Howe Ltd, London - First Edition
‘If you want to find Cherry-Tree Lane all you have to do is ask the Policeman at the cross-roads.’
The first appearance of the legendary Mary Poppins, finely bound and magically illustrated throughout.
‘Mary Poppins was very vain and liked to look her best. Indeed, she was quite sure that she never looked anything else.’
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Price HK$ 6,000
1934 - Gerald Howe Ltd, London - First Edition
‘If you want to find Cherry-Tree Lane all you have to do is ask the Policeman at the cross-roads.’The first appearance of the legendary Mary Poppins, finely bound and magically illustrated throughout.
‘Mary Poppins was very vain and liked to look her best. Indeed, she was quite sure that she never looked anything else.’
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Price HK$ 6,000
The Wonderful Adventures of Paul Bunyan -
Louis Untermeyer [retold by], Everett Gee Jackson (illustrator)
1945 - The Limited Editions Club, New York - Number 736 of 1500 copies signed by the illustrator
The character of Paul Bunyan originated in folk tales circulated among lumberjacks in the Northeastern United States of America and eastern Canada, first appearing in print in a story published by Northern Michigan journalist James MacGillivray in 1906. A larger-than-life folk hero who embodies frontier vitality. He is a symbol of might, the willingness to work hard, and the resolve to overcome all obstacles.
This limited edition is wonderfully Illustrated with full page colour plates by Everett Gee Jackson, and housed in original slipcase and chemise.
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Price HK$ 1,100
1945 - The Limited Editions Club, New York - Number 736 of 1500 copies signed by the illustrator
The character of Paul Bunyan originated in folk tales circulated among lumberjacks in the Northeastern United States of America and eastern Canada, first appearing in print in a story published by Northern Michigan journalist James MacGillivray in 1906. A larger-than-life folk hero who embodies frontier vitality. He is a symbol of might, the willingness to work hard, and the resolve to overcome all obstacles. This limited edition is wonderfully Illustrated with full page colour plates by Everett Gee Jackson, and housed in original slipcase and chemise.
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Price HK$ 1,100
The Child's Own Book for 1838 -
Various Authors
1838 - Richard Davis, London
Illustrated with wood engravings, including frontispiece. A potpourri of informational and inspirational writings, with much on missionaries in far off lands, "The profits to be devoted to Sunday School Objects."
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Price HK$ 1,800
1838 - Richard Davis, London
Illustrated with wood engravings, including frontispiece. A potpourri of informational and inspirational writings, with much on missionaries in far off lands, "The profits to be devoted to Sunday School Objects." More details
Price HK$ 1,800
The Story of Reynard the Fox -
David Vedder, Gustav Canton (illustrator)
1847 - David Bogue, London - Second Edition
Lithographed by David Vedder’s son-in-law Frederick Schenck (Schenck & McFarlane, Edinburgh), and considered on its appearance ‘the best edition of this famous story yet presented in England’ (London Literary Gazette, 1852).
Illustrated by Gustav Canton of Munich and Dusseldorf, with 9 two-tone lithographic plates, 5 colour lithographic plates, 1 in-text engraving, 8 vignettes, and 19 decorated letter pieces.
‘Vedder’s book is splendidly illustrated by the German artist Gustav Canton, but modestly so and in keeping with a text which has been carefully expurgated and made suitable for decent young people... Vedder’s text is based on the 1706 English verse translation of Hartmann Schopper’s 1569 Latin text, this, in turn, is based, via a 1544 High German shortened translation, on that of the 1498 Lübeck Low German, and thence back to the Flemish on which Caxton drew.’ - Kenneth Varty, Reynard the Fox: Cultural Metamorphoses and Social Engagement in the Beast Epic [171].
‘The illustration of Reynard the Fox, will always be a tempting one to artists who possess the gift of humorously indicating human character, passions, follies, and infirmities, in brute form. This power is in the command of Gustav Canton ; whose humour, readiness, and clever combination, are considerable, — marred, however, by an unfortunate vulgarity of artistic style, at any rate as represented in these lithographs.’ - Review of this edition in The Spectator, January 1847.
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Price HK$ 1,200
1847 - David Bogue, London - Second Edition
Lithographed by David Vedder’s son-in-law Frederick Schenck (Schenck & McFarlane, Edinburgh), and considered on its appearance ‘the best edition of this famous story yet presented in England’ (London Literary Gazette, 1852).Illustrated by Gustav Canton of Munich and Dusseldorf, with 9 two-tone lithographic plates, 5 colour lithographic plates, 1 in-text engraving, 8 vignettes, and 19 decorated letter pieces.
‘Vedder’s book is splendidly illustrated by the German artist Gustav Canton, but modestly so and in keeping with a text which has been carefully expurgated and made suitable for decent young people... Vedder’s text is based on the 1706 English verse translation of Hartmann Schopper’s 1569 Latin text, this, in turn, is based, via a 1544 High German shortened translation, on that of the 1498 Lübeck Low German, and thence back to the Flemish on which Caxton drew.’ - Kenneth Varty, Reynard the Fox: Cultural Metamorphoses and Social Engagement in the Beast Epic [171].
‘The illustration of Reynard the Fox, will always be a tempting one to artists who possess the gift of humorously indicating human character, passions, follies, and infirmities, in brute form. This power is in the command of Gustav Canton ; whose humour, readiness, and clever combination, are considerable, — marred, however, by an unfortunate vulgarity of artistic style, at any rate as represented in these lithographs.’ - Review of this edition in The Spectator, January 1847.
More details
Price HK$ 1,200