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The Honours of the Table -
John Trusler, John Bewick (illustrator)
1791 - for the author, London - Second Edition
Of all the graceful accomplishments, and of every branch of polite education, it has long been admitted, that a gentleman and a lady never shew themselves to more advantage, than in acquitting themselves well in the honours of their table; that is to say, in serving their guests and treating their friends agreeable to their rank and situation in life.
A scarce copy of this wonderful little work, first published in 1788, in the original marbled paper boards and illustrated with twenty-seven woodcuts by John Bewick, including wood-engraved Trusler coat-of-arms. Bound with the complete 12 page ‘List of Books by the Rev. Dr, Trusler, At the Literary-Press, No. 62, Wardour Street, Soho. 1792’’.
Reverend Trusler was a prolific author whose eclectic output included everything from tips on gardening to commentaries on Hogarth engravings.
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Price HK$ 10,000
1791 - for the author, London - Second Edition
Of all the graceful accomplishments, and of every branch of polite education, it has long been admitted, that a gentleman and a lady never shew themselves to more advantage, than in acquitting themselves well in the honours of their table; that is to say, in serving their guests and treating their friends agreeable to their rank and situation in life.A scarce copy of this wonderful little work, first published in 1788, in the original marbled paper boards and illustrated with twenty-seven woodcuts by John Bewick, including wood-engraved Trusler coat-of-arms. Bound with the complete 12 page ‘List of Books by the Rev. Dr, Trusler, At the Literary-Press, No. 62, Wardour Street, Soho. 1792’’.
Reverend Trusler was a prolific author whose eclectic output included everything from tips on gardening to commentaries on Hogarth engravings.
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Price HK$ 10,000
The Private Brewer's Guide to the Art of Brewing Ale and Porter, Particularly Adapted to the Use of the Families of the Nobility, Gentry, Farmers, and Private Brewers, with Complete Instructions for Country Victuallers who Brew at Home. Also, An Account of Drugs, Tables of Duties, Laws of Excise, The Art of Sweetening Casks, Instructions for making up Spirits, Purchasing Wines, &c. On a plain and entire new plan. -
John Tuck
1822 - W. Simpkin and R. Marshall, London - Second Edition [Published same year as first edition]
A rare, important and oft quoted work, in particular in relation to the history of Porter. This second edition, which was published the same year as the first edition, has been enlarged, revised and additions made.
With tables including one folding [opposite pages 84 and 85].
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Price HK$ 8,000
1822 - W. Simpkin and R. Marshall, London - Second Edition [Published same year as first edition]
A rare, important and oft quoted work, in particular in relation to the history of Porter. This second edition, which was published the same year as the first edition, has been enlarged, revised and additions made.With tables including one folding [opposite pages 84 and 85].
More details
Price HK$ 8,000
I am A Camera - with - Cabaret -
John Van Druten, John Masteroff
1952 - Random House, New York - First Editions
‘There was a cabaret and there was a master of ceremonies and there was a city called Berlin in a country called Germany–and it was the end of the world and I was dancing with Sally Bowles–and we were both fast asleep...’
In 1951, John Van Druten crafted the award winning Broadway play ‘I Am A Camera’, from Isherwood’s semi-autobiographical short story ‘Goodbye to Berlin’ in which William Prince plays the part of Christopher Isherwood, and Julie Harris plays ‘Sally Bowles’.
The legendary Broadway musical producer Harold Prince acquired the rights to Van Druten’s play and it’s source material by Isherwood, which John Masteroff rewrote for the award winning musical ‘Cabaret’, first performed on 20th November 1966, and continuously revived, most recently by Sam Mendes in 2013.
Both works contain black and white photographs of the original performances and sets.
‘I am a camera with its shutter open, quite passive, recording, not thinking’.
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Price HK$ 2,000
1952 - Random House, New York - First Editions
‘There was a cabaret and there was a master of ceremonies and there was a city called Berlin in a country called Germany–and it was the end of the world and I was dancing with Sally Bowles–and we were both fast asleep...’In 1951, John Van Druten crafted the award winning Broadway play ‘I Am A Camera’, from Isherwood’s semi-autobiographical short story ‘Goodbye to Berlin’ in which William Prince plays the part of Christopher Isherwood, and Julie Harris plays ‘Sally Bowles’.
The legendary Broadway musical producer Harold Prince acquired the rights to Van Druten’s play and it’s source material by Isherwood, which John Masteroff rewrote for the award winning musical ‘Cabaret’, first performed on 20th November 1966, and continuously revived, most recently by Sam Mendes in 2013.
Both works contain black and white photographs of the original performances and sets.
‘I am a camera with its shutter open, quite passive, recording, not thinking’.
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Price HK$ 2,000
Le Bon Bock -
Various
1886 to 1906 - Privately Printed by Glyptographie Silvestre [1886-91] and then by E. Bernard [1892-1906] , Paris
An incredibly rare collection of nearly 300 original illustrated letterpress dinner invitations from Le Bon Bock society, whose soirees on the second Tuesday of each month in near Montmartre were frequented by Paris’ most flamboyant and original writers and artists of the La Belle Époque.
The artists competed to have their work used for the next invitation, and together with their work each invitation provides an account of the previous dinners activities, beginning with opening speeches, notices and announcements, and then other activities, which usually include poems, prose, texts, songs, instrumental pieces.
The invitations are dated from April 7th 1886 to October 5th 1906, with the first thirty or so addressed to Monsieur Régnier, one of the founders of the association. Individually rare, a collection of this size and association provides one of the most important associations of the Belle Époque in Paris.
Inspired by Edouard Manet’s painting Le Bon Bock (The Good Pint), and the democratic, nationalistic ideals that it symbolised, Emile Bellot (the printmaker and model for Manet’s beer drinker) established the Bon Bock Society in 1875. Consisting mainly of artists, writers and performers, the society sought to re-define France’s national spirit by delving into the country’s cultural past. The inseparable ideals of freedom and humour within their community created opportunities for artistic experimentation; the Bon Bockers and their carefree attitude would go on to inspire generations of Montmartre natives for years to come.
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Price HK$ 50,000
1886 to 1906 - Privately Printed by Glyptographie Silvestre [1886-91] and then by E. Bernard [1892-1906] , Paris
An incredibly rare collection of nearly 300 original illustrated letterpress dinner invitations from Le Bon Bock society, whose soirees on the second Tuesday of each month in near Montmartre were frequented by Paris’ most flamboyant and original writers and artists of the La Belle Époque. The artists competed to have their work used for the next invitation, and together with their work each invitation provides an account of the previous dinners activities, beginning with opening speeches, notices and announcements, and then other activities, which usually include poems, prose, texts, songs, instrumental pieces.
The invitations are dated from April 7th 1886 to October 5th 1906, with the first thirty or so addressed to Monsieur Régnier, one of the founders of the association. Individually rare, a collection of this size and association provides one of the most important associations of the Belle Époque in Paris.
Inspired by Edouard Manet’s painting Le Bon Bock (The Good Pint), and the democratic, nationalistic ideals that it symbolised, Emile Bellot (the printmaker and model for Manet’s beer drinker) established the Bon Bock Society in 1875. Consisting mainly of artists, writers and performers, the society sought to re-define France’s national spirit by delving into the country’s cultural past. The inseparable ideals of freedom and humour within their community created opportunities for artistic experimentation; the Bon Bockers and their carefree attitude would go on to inspire generations of Montmartre natives for years to come.
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Price HK$ 50,000
A Vanished World - Signed -
Roman Vishniac, Elie Wiesel
1983 - Farrar, New York - First Edition
‘One picture is worth a thousand words – or is it? In most cases, I would say: no, a poet’s word is worth at least a thousand pictures. But then I would have to admit that Roman Vishniac is a special case.
This astonishing man’s eyes seem to pierce our memory, to sift its shadows. We are afraid to follow him, but we do, even so. Who can resist the lure of the past?’ – Elie Wiesel, from the foreword.
A fine first edition, signed with a large flourish to the front ‘Roman / Edith Vishniac 1985’ Produced for the exhibition of the same name, in large format with 180 photographs, many of which had never been published before.
‘Living in Berlin in the 1920s and 30s after his family was forced to flee Russia, Vishniac covered 5,000 miles, across Poland, the Ukraine, Czechoslovakia, Romania, Hungary, Latvia, and Lithuania, documenting Jewish life in cities, villages, and shtetls. Here are the faces of the vanished Jews of Cracow and Warsaw, of Mukachevo, Carpathian Ruthenia, Lublin, Slonim, and Lodz. “He loves them all,” writes Elie Wiesel in the foreword to the publication A Vanished World that accompanies the exhibition, “the rabbis and their pupils, the peddlers and their customers, the beggars and the cantors, the sad old men and the smiling young ones. He loves them because the world they live in did not, and because death has already marked them for its own—death and oblivion as well.’ - International Center of Photography, 1983
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Price HK$ 4,000
1983 - Farrar, New York - First Edition
‘One picture is worth a thousand words – or is it? In most cases, I would say: no, a poet’s word is worth at least a thousand pictures. But then I would have to admit that Roman Vishniac is a special case.This astonishing man’s eyes seem to pierce our memory, to sift its shadows. We are afraid to follow him, but we do, even so. Who can resist the lure of the past?’ – Elie Wiesel, from the foreword.
A fine first edition, signed with a large flourish to the front ‘Roman / Edith Vishniac 1985’ Produced for the exhibition of the same name, in large format with 180 photographs, many of which had never been published before.
‘Living in Berlin in the 1920s and 30s after his family was forced to flee Russia, Vishniac covered 5,000 miles, across Poland, the Ukraine, Czechoslovakia, Romania, Hungary, Latvia, and Lithuania, documenting Jewish life in cities, villages, and shtetls. Here are the faces of the vanished Jews of Cracow and Warsaw, of Mukachevo, Carpathian Ruthenia, Lublin, Slonim, and Lodz. “He loves them all,” writes Elie Wiesel in the foreword to the publication A Vanished World that accompanies the exhibition, “the rabbis and their pupils, the peddlers and their customers, the beggars and the cantors, the sad old men and the smiling young ones. He loves them because the world they live in did not, and because death has already marked them for its own—death and oblivion as well.’ - International Center of Photography, 1983
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Price HK$ 4,000
The Ring of the Niblung -
Richard Wagner, Arthur Rackham (illustrator)
1910 - William Heinemann, London - Edition de luxes, each one limited to 1, 150 copies signed by Rackham
A magnificent set of the large deluxe vellum editions.
Wagner’s ‘Trilogy, with a Prelude’, his libretti for The Ring of Niblung cycle, stunningly illustrated by Arthur Rackham, featuring sixty-four beautiful tipped-in colour plates each with descriptive tissue guards, and twenty-three black and white drawings across two volumes.
Translated from the German into English by Margaret Armour.
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Price HK$ 42,000
1910 - William Heinemann, London - Edition de luxes, each one limited to 1, 150 copies signed by Rackham
A magnificent set of the large deluxe vellum editions.Wagner’s ‘Trilogy, with a Prelude’, his libretti for The Ring of Niblung cycle, stunningly illustrated by Arthur Rackham, featuring sixty-four beautiful tipped-in colour plates each with descriptive tissue guards, and twenty-three black and white drawings across two volumes.
Translated from the German into English by Margaret Armour.
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Price HK$ 42,000
Antiquitates Culinariae -
Rev. Richard Warner
1791 - Printed for R. Blamire, London - First Edition
First edition of ‘one of the first signs of scholarship being applied to the history of early English cookery, a development which occurred in the last three decades of the Eighteenth century’ [Maclean].
Illustrated with an engraved title-page, the magnificent double-page terracotta aquatint plate of 'A Peacock Feast', a single-page terracotta aquatint plate of 'A Saxon Entertainment', and an engraved tailpiece on page lvii.
The double-page plate present here was removed from unsold copies after Warner lost the case to Carter over copyright infringement [Maclean].
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Price HK$ 3,200
1791 - Printed for R. Blamire, London - First Edition
First edition of ‘one of the first signs of scholarship being applied to the history of early English cookery, a development which occurred in the last three decades of the Eighteenth century’ [Maclean].Illustrated with an engraved title-page, the magnificent double-page terracotta aquatint plate of 'A Peacock Feast', a single-page terracotta aquatint plate of 'A Saxon Entertainment', and an engraved tailpiece on page lvii.
The double-page plate present here was removed from unsold copies after Warner lost the case to Carter over copyright infringement [Maclean].
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Price HK$ 3,200