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A Treatise on Cyder-Making -
Hugh Stafford, Anonymous
1753 - Printed for E. Cave, London - First Edition
Legendary and rare first edition of this anonymous work, all of which is generally but erroneously attributed to Hugh Stafford who contributed the sixteen page ‘Dissertation on Cyder and Cyder-Fruit’ at the beginning.
Covering the entire process from identifying and growing the best cider apples, collection, pressing, fermentation, racking, preserving and remedial action for a variety of issues ‘which are incident to Cyder’. With fold-out engraving of cider press (opp. p.32), in-text wood-cut diagrams to pages 43 and 68 (‘One side of the framed Press...’.) and wood-cut decorations to pages v, 47, and 61.
‘As Cyder therefore is generally allowed to be an wholesome drink, and as it is the natural product of our own country, he will surely be thought to contribute something towards the good of the public, who gives infallible directions for making it universally agreeable by varrying it so as to suit every palate, and by improving the flavour and the quality, both of the rough and the smooth, divesting it of its tendency to produce cholics, and giving it the sparkle of Champaign, without an eager and windy fermentation, and rendering it more spirituous than a small wine tho' less inflaming’. [Preface]
An influential work, Benjamin Franklin, who was partial to a drop himself, ordered three copies to be reprinted as pamphlets and distributed amongst the New England farmers after failing with their vineyards. It was plagiarised into various publications including encyclopaedias, cookbooks and later reference works related to cider.
More details
Price HK$ 42,000
1753 - Printed for E. Cave, London - First Edition
Legendary and rare first edition of this anonymous work, all of which is generally but erroneously attributed to Hugh Stafford who contributed the sixteen page ‘Dissertation on Cyder and Cyder-Fruit’ at the beginning.Covering the entire process from identifying and growing the best cider apples, collection, pressing, fermentation, racking, preserving and remedial action for a variety of issues ‘which are incident to Cyder’. With fold-out engraving of cider press (opp. p.32), in-text wood-cut diagrams to pages 43 and 68 (‘One side of the framed Press...’.) and wood-cut decorations to pages v, 47, and 61.
‘As Cyder therefore is generally allowed to be an wholesome drink, and as it is the natural product of our own country, he will surely be thought to contribute something towards the good of the public, who gives infallible directions for making it universally agreeable by varrying it so as to suit every palate, and by improving the flavour and the quality, both of the rough and the smooth, divesting it of its tendency to produce cholics, and giving it the sparkle of Champaign, without an eager and windy fermentation, and rendering it more spirituous than a small wine tho' less inflaming’. [Preface]
An influential work, Benjamin Franklin, who was partial to a drop himself, ordered three copies to be reprinted as pamphlets and distributed amongst the New England farmers after failing with their vineyards. It was plagiarised into various publications including encyclopaedias, cookbooks and later reference works related to cider.
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Price HK$ 42,000
Le Bon-Bock - 321 Letterpress Invitations in two Folio Albums -
Various
1886-1936 - Printed for Le Bon-Bock, Paris
An incredibly rare collection of 321 original illustrated letterpress dinner invitations from Le Bon-Bock society (each approximately 33x23cm), whose soirees on the second Tuesday of each month near Montmartre were frequented by Paris’ most flamboyant and original writers and artists of La Belle Époque and Les Années Folles.
The artists competed to have their work used for the next invitation, and together with their work each invitation provides an account of the previous dinners activities, beginning with opening speeches, notices and announcements, and then other activities, which usually include poems, prose, texts, songs, instrumental pieces.
The invitations are dated from April 1886 to April 1936, with the first thirty or so addressed to Monsieur Régnier, one of the founders of the association. Individually rare, a collection of this size and association provides one of the most important associations of these periods in Paris.
Inspired by Edouard Manet’s painting Le Bon Bock (The Good Pint), and the democratic, nationalistic ideals that it symbolised, Emile Bellot (the printmaker and model for Manet’s beer drinker) established the Bon-Bock Society in 1875. Consisting mainly of artists, writers and performers, the society sought to re-define France’s national spirit by delving into the country’s cultural past. The inseparable ideals of freedom and humour within their community created opportunities for artistic experimentation; the Bon Bockers and their carefree attitude would go on to inspire generations of Montmartre natives for years to come.
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Price HK$ 90,000
1886-1936 - Printed for Le Bon-Bock, Paris
An incredibly rare collection of 321 original illustrated letterpress dinner invitations from Le Bon-Bock society (each approximately 33x23cm), whose soirees on the second Tuesday of each month near Montmartre were frequented by Paris’ most flamboyant and original writers and artists of La Belle Époque and Les Années Folles. The artists competed to have their work used for the next invitation, and together with their work each invitation provides an account of the previous dinners activities, beginning with opening speeches, notices and announcements, and then other activities, which usually include poems, prose, texts, songs, instrumental pieces.
The invitations are dated from April 1886 to April 1936, with the first thirty or so addressed to Monsieur Régnier, one of the founders of the association. Individually rare, a collection of this size and association provides one of the most important associations of these periods in Paris.
Inspired by Edouard Manet’s painting Le Bon Bock (The Good Pint), and the democratic, nationalistic ideals that it symbolised, Emile Bellot (the printmaker and model for Manet’s beer drinker) established the Bon-Bock Society in 1875. Consisting mainly of artists, writers and performers, the society sought to re-define France’s national spirit by delving into the country’s cultural past. The inseparable ideals of freedom and humour within their community created opportunities for artistic experimentation; the Bon Bockers and their carefree attitude would go on to inspire generations of Montmartre natives for years to come.
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Price HK$ 90,000
A History of Champagne -
Henry Vizetelly
1882 - Vizetelly &, London - First Edition
A superb example of the finest work ever presented on Champagne. Tracing the history of champagne and it’s wine over 1,800 years. Strikingly illustrated with 350 engravings, including numerous illustrations from ancient manuscripts and 200 original sketches made under the author's supervision. With folding coloured lithograph map showing the vineyards of Champagne. In the publishers elegant gilt pictorial binding.
The first part of the book is historical, champagne from its origins, its progress in the 14th century, the 17th, 18th, the conflict between Burgundy and Champagne, champagne in England. The second part describes the various vineyards, viticulture, manufacturing, large establishments of Reims, d'Epernay, Pierry, Ay, Mareuil, Avize and Rilly. Part three talks about the other sparkling wines of France: Saumur, Vouvray, Sauterne, Bourgogne, Jura, Rhone, concluding with Facts and Notes Respecting Sparkling Wine. To the rear are advertisements from producers such as Moët et Chandon, Deutz & Geldermann, and Vizetelly's catalogue of other published works.
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Price HK$ 20,000
1882 - Vizetelly &, London - First Edition
A superb example of the finest work ever presented on Champagne. Tracing the history of champagne and it’s wine over 1,800 years. Strikingly illustrated with 350 engravings, including numerous illustrations from ancient manuscripts and 200 original sketches made under the author's supervision. With folding coloured lithograph map showing the vineyards of Champagne. In the publishers elegant gilt pictorial binding.The first part of the book is historical, champagne from its origins, its progress in the 14th century, the 17th, 18th, the conflict between Burgundy and Champagne, champagne in England. The second part describes the various vineyards, viticulture, manufacturing, large establishments of Reims, d'Epernay, Pierry, Ay, Mareuil, Avize and Rilly. Part three talks about the other sparkling wines of France: Saumur, Vouvray, Sauterne, Bourgogne, Jura, Rhone, concluding with Facts and Notes Respecting Sparkling Wine. To the rear are advertisements from producers such as Moët et Chandon, Deutz & Geldermann, and Vizetelly's catalogue of other published works.
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Price HK$ 20,000
Facts About Champagne collected during numerous visits to the Champagne District - Inscribed -
Henry Vizetelly
1890 - Vizetelly &, London - Second and Revised Edition
Scarce edition of this wonderful work on Champagne inscribed by the great Henry Vizetelly to George Augustus Sala, a celebrated Victorian author, gastronome and a colleague at the Illustrated London News, dated ‘Covent Garden, 14 Augt. 1901’, two years after Vizetelly was released from prison for translating and publishing the works of Émile Zola in unexpurgated form.
Profusely illustrated with 32 full page engraved plates and 68 in text engravings drawn by Jules Pelcoq, W. Prater, Bertali, etc. from original sketches, as well as 38 small engravings of the Champagne brand marks to the rear.
Chapters cover:- The Origin of Champagne; The Vintage in the Champagne; The Vineyards of the River; The Vineyards of the Mountain; The Vines of the Champagne and the System of Cultivation; Preparation of Champagne; Champagne Establishments of Reims, Epernay, Ay, Mareuil, and Avize; and Concluding Facts and Hints.
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Price HK$ 9,000
1890 - Vizetelly &, London - Second and Revised Edition
Scarce edition of this wonderful work on Champagne inscribed by the great Henry Vizetelly to George Augustus Sala, a celebrated Victorian author, gastronome and a colleague at the Illustrated London News, dated ‘Covent Garden, 14 Augt. 1901’, two years after Vizetelly was released from prison for translating and publishing the works of Émile Zola in unexpurgated form.Profusely illustrated with 32 full page engraved plates and 68 in text engravings drawn by Jules Pelcoq, W. Prater, Bertali, etc. from original sketches, as well as 38 small engravings of the Champagne brand marks to the rear.
Chapters cover:- The Origin of Champagne; The Vintage in the Champagne; The Vineyards of the River; The Vineyards of the Mountain; The Vines of the Champagne and the System of Cultivation; Preparation of Champagne; Champagne Establishments of Reims, Epernay, Ay, Mareuil, and Avize; and Concluding Facts and Hints.
More details
Price HK$ 9,000