Literature
Crime & Detective
Sci-Fi & Fantasy
Spies Espionage James Bond 007
Austen Bronte
Conrad & Kipling
Dickens & Shakespeare
Greene & Orwell
Hemingway & Steinbeck
Maugham & Waugh
Wodehouse
Antiquarian
Modern
American
Poetry
In Our Time -
Ernest Hemingway
1925 - Boni &, New York - First Edition, First Printing
First edition of Hemingway’s first American publication and his second book, published October 5th in a run of only 1,335 copies.
‘No other writer here recorded stepped so suddenly into fame, or destroyed with such insouciance so many other writers or ways of writing or became such an immediate symbol of an age.’ – Cyril Connolly, The Modern Movement.
‘On October 18, 1925, an American writer, not yet turned twenty-six, was first reviewed in The New York Times, whose anonymous critic called his short stories "lean, pleasing, with tough resilience," "fibrous," "athletic," "fresh," "hard," and "clean," almost as if an athlete, not a book, was being reviewed.
Hemingway had that effect on reviewers and readers alike. His prose style was dramatically different, demanding equally new ways of describing it. Not more than a handful of the newspaper's readers likely knew the Hemingway name, but the review of "In Our Time" could not have been more propitious.’ - Reynolds, New York Times.
More details
Price HK$ 11,000
1925 - Boni &, New York - First Edition, First Printing
First edition of Hemingway’s first American publication and his second book, published October 5th in a run of only 1,335 copies.‘No other writer here recorded stepped so suddenly into fame, or destroyed with such insouciance so many other writers or ways of writing or became such an immediate symbol of an age.’ – Cyril Connolly, The Modern Movement.
‘On October 18, 1925, an American writer, not yet turned twenty-six, was first reviewed in The New York Times, whose anonymous critic called his short stories "lean, pleasing, with tough resilience," "fibrous," "athletic," "fresh," "hard," and "clean," almost as if an athlete, not a book, was being reviewed.
Hemingway had that effect on reviewers and readers alike. His prose style was dramatically different, demanding equally new ways of describing it. Not more than a handful of the newspaper's readers likely knew the Hemingway name, but the review of "In Our Time" could not have been more propitious.’ - Reynolds, New York Times.
More details
Price HK$ 11,000
Death in the Afternoon -
Ernest Hemingway
1932 - Charles Scribner's Sons, New York - First Edition
A fine copy in bright delicate very good dust jacket. With a beautiful coloured frontispiece ‘The Bullfighter’ by Juan Gris, and numerous black and white photographs throughout.
‘Still considered one of the best books ever written about bullfighting, Death in the Afternoon reflects Hemingway's belief that bullfighting was more than mere sport. Here he describes and explains the technical aspects of this dangerous ritual, and "the emotional and spiritual intensity and pure classic beauty that can be produced by a man, an animal, and a piece of scarlet serge draped on a stick." Seen through his eyes, bullfighting becomes an art, a richly choreographed ballet, with performers who range from awkward amateurs to masters of great grace and cunning’ [from a later edition]
More details
Price HK$ 20,000
1932 - Charles Scribner's Sons, New York - First Edition
A fine copy in bright delicate very good dust jacket. With a beautiful coloured frontispiece ‘The Bullfighter’ by Juan Gris, and numerous black and white photographs throughout.‘Still considered one of the best books ever written about bullfighting, Death in the Afternoon reflects Hemingway's belief that bullfighting was more than mere sport. Here he describes and explains the technical aspects of this dangerous ritual, and "the emotional and spiritual intensity and pure classic beauty that can be produced by a man, an animal, and a piece of scarlet serge draped on a stick." Seen through his eyes, bullfighting becomes an art, a richly choreographed ballet, with performers who range from awkward amateurs to masters of great grace and cunning’ [from a later edition]
More details
Price HK$ 20,000
Sweet Thursday -
John Steinbeck
1954 - The Viking Press, New York - First Edition
A fine first edition in exceptional example of the delicate dust jacket which is usually prone to heavy toning creases and chips.
‘In Monterey, on the California coast, Sweet Thursday is what they call the day after Lousy Wednesday, which is one of those days that are just naturally bad. Returning to the scene of Cannery Row—the weedy lots and junk heaps and flophouses of Monterey, John Steinbeck once more brings to life the denizens of a netherworld of laughter and tears—from Doc, based on Steinbeck’s lifelong friend Ed Ricketts, to Fauna, new headmistress of the local brothel, to Hazel, a bum whose mother must have wanted a daughter.’
More details
Price HK$ 5,800
1954 - The Viking Press, New York - First Edition
A fine first edition in exceptional example of the delicate dust jacket which is usually prone to heavy toning creases and chips.‘In Monterey, on the California coast, Sweet Thursday is what they call the day after Lousy Wednesday, which is one of those days that are just naturally bad. Returning to the scene of Cannery Row—the weedy lots and junk heaps and flophouses of Monterey, John Steinbeck once more brings to life the denizens of a netherworld of laughter and tears—from Doc, based on Steinbeck’s lifelong friend Ed Ricketts, to Fauna, new headmistress of the local brothel, to Hazel, a bum whose mother must have wanted a daughter.’
More details
Price HK$ 5,800