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Le Paysan de Paris (The Peasant of Paris) -
Louis Aragon, Henri Cartier-Bresson
1994 - The Limited editions Club, New York - Number 89 of 300 copies.
‘I was seeking… a new kind of novel that would break all the traditional rules governing the writing of fiction… a novel that the critics would be obliged to approach empty-handed’ – Louis Aragon
A beautiful copy of this superbly produced limited edition of Louis Aragon’s outstanding Surrealist novel – in which he compares a poet’s love for his city to a peasant’s love for his land – signed by Henri Cartier-Bresson on the limitation page.
Stunningly illustrated with seven original lithographs and a photogravure by Henri Cartier-Bresson. The lithographs were pulled by Bruce Porter at his Trestle Editions studio in New York. The photogravure was printed by Jon Goodman on French-made Arjo Wiggins stock.
Translated from the French by Samuel Watson Taylor.
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Price HK$ 11,000
1994 - The Limited editions Club, New York - Number 89 of 300 copies.
‘I was seeking… a new kind of novel that would break all the traditional rules governing the writing of fiction… a novel that the critics would be obliged to approach empty-handed’ – Louis AragonA beautiful copy of this superbly produced limited edition of Louis Aragon’s outstanding Surrealist novel – in which he compares a poet’s love for his city to a peasant’s love for his land – signed by Henri Cartier-Bresson on the limitation page.
Stunningly illustrated with seven original lithographs and a photogravure by Henri Cartier-Bresson. The lithographs were pulled by Bruce Porter at his Trestle Editions studio in New York. The photogravure was printed by Jon Goodman on French-made Arjo Wiggins stock.
Translated from the French by Samuel Watson Taylor.
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Price HK$ 11,000
RESERVED - Avedon: Photographs, 1947-1977 - SIGNED -
Richard Avedon, Harold Brodkey
1978 - Farrar, New York - First Edition
A signed large folio of renowned portrait and fashion photographer Richard Avedon, published concurrently with the 1978 retrospective exhibition of his work at The Metropolitan Museum of Art. In the original publisher’s acetate (clear) jacket.
This selection of iconic black and white portraits includes the Duchess of Alba, Brigitte Bardot, Lauren Bacall, Cyd Charisse, Gabrielle Chanel, Marlene Dietrich, Audrey Hepburn, Katharine Hepburn, Janis Joplin, Princess Elizabeth of Yugoslavia, and others.
With an introduction by Harold Brodkey.
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Price HK$ 4,800
1978 - Farrar, New York - First Edition
A signed large folio of renowned portrait and fashion photographer Richard Avedon, published concurrently with the 1978 retrospective exhibition of his work at The Metropolitan Museum of Art. In the original publisher’s acetate (clear) jacket.This selection of iconic black and white portraits includes the Duchess of Alba, Brigitte Bardot, Lauren Bacall, Cyd Charisse, Gabrielle Chanel, Marlene Dietrich, Audrey Hepburn, Katharine Hepburn, Janis Joplin, Princess Elizabeth of Yugoslavia, and others.
With an introduction by Harold Brodkey.
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Price HK$ 4,800
Death in the Making -
Robert Capa, Gerda Taro
1938 - Covici Friede, New York - First Edition
'If the photo isn't good enough, it's because you're not close enough.' – Robert Capa
A stunning copy of Robert Capa’s first published monograph – a landmark of 20th century war photography – in the rare dust jacket depicting a Loyalist soldier falling to his death, gun in hand, after being shot – a now iconic image of the Spanish Civil War Featuring 145 photographs by Robert Capa and Gerda Taro, captions by Robert Capa, translated and with a preface by Jay Allen, and arranged by André Kertesz. Housed in a custom clamshell case of fine black morocco leather over matching cloth, velvet lined, and lettered in gilt to the spine.
From 1936 onwards, Capa's coverage of the Spanish Civil War appeared regularly. His picture of a Loyalist soldier who had just been fatally wounded earned him his international reputation and became a powerful symbol of war. After his companion, Gerda Taro, was killed in Spain, Capa travelled to China in 1938 and emigrated to New York a year later. As a correspondent in Europe, he photographed the Second World War, covering the landing of American troops on Omaha beach on D-Day, the liberation of Paris and the Battle of the Bulge
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Price HK$ 60,000
1938 - Covici Friede, New York - First Edition
'If the photo isn't good enough, it's because you're not close enough.' – Robert CapaA stunning copy of Robert Capa’s first published monograph – a landmark of 20th century war photography – in the rare dust jacket depicting a Loyalist soldier falling to his death, gun in hand, after being shot – a now iconic image of the Spanish Civil War Featuring 145 photographs by Robert Capa and Gerda Taro, captions by Robert Capa, translated and with a preface by Jay Allen, and arranged by André Kertesz. Housed in a custom clamshell case of fine black morocco leather over matching cloth, velvet lined, and lettered in gilt to the spine.
From 1936 onwards, Capa's coverage of the Spanish Civil War appeared regularly. His picture of a Loyalist soldier who had just been fatally wounded earned him his international reputation and became a powerful symbol of war. After his companion, Gerda Taro, was killed in Spain, Capa travelled to China in 1938 and emigrated to New York a year later. As a correspondent in Europe, he photographed the Second World War, covering the landing of American troops on Omaha beach on D-Day, the liberation of Paris and the Battle of the Bulge
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Price HK$ 60,000
People in China. Thirty-two photographic studies from life -
Ellen Thorbecke, Friedrich Schiff (illustrator)
1935 - George G. Harrap & Co. Ltd., London - First Edition
A lovely copy, in the scarce original dust jacket. With an introduction by W. J. R. Thorbecke. Illustrated with one colour plate by F. H. Schiff and 32 mounted photographic plates by Ellen Thorbecke.
‘In the 1930's, Dutch photographer Ellen Thorbecke took a series of photos in China with the use of many experimental techniques. Her portraits covered a wide range of people, including an industrialist, a peddler, a student, a country woman, a soldier and so on. Accompanied with every portrait, there was a brief biography about the person. Like her photos, those "micro stories" composed a "macro view" of the Chinese society. While most Westerners were interested in “typical scenes” of China, Thorbecke went beyond producing stock photography by telling the story behind each photo and thus depicting the deeper layer of the Chinese society.’ [Dr. Chong-ho Yu]
Illustrated by Friederich Schiff, an Austrian artist, prolific cartoonist whose work appeared in books, newspapers, magazines and advertisements throughout China and the Far East. They had previously collaborated in 1934 on Peking Studies and on a similar guide book Shanghai in 1938.
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Price HK$ 6,000
1935 - George G. Harrap & Co. Ltd., London - First Edition
A lovely copy, in the scarce original dust jacket. With an introduction by W. J. R. Thorbecke. Illustrated with one colour plate by F. H. Schiff and 32 mounted photographic plates by Ellen Thorbecke.‘In the 1930's, Dutch photographer Ellen Thorbecke took a series of photos in China with the use of many experimental techniques. Her portraits covered a wide range of people, including an industrialist, a peddler, a student, a country woman, a soldier and so on. Accompanied with every portrait, there was a brief biography about the person. Like her photos, those "micro stories" composed a "macro view" of the Chinese society. While most Westerners were interested in “typical scenes” of China, Thorbecke went beyond producing stock photography by telling the story behind each photo and thus depicting the deeper layer of the Chinese society.’ [Dr. Chong-ho Yu]
Illustrated by Friederich Schiff, an Austrian artist, prolific cartoonist whose work appeared in books, newspapers, magazines and advertisements throughout China and the Far East. They had previously collaborated in 1934 on Peking Studies and on a similar guide book Shanghai in 1938.
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Price HK$ 6,000
A Vanished World - Signed -
Roman Vishniac, Elie Wiesel
1983 - Farrar, New York - First Edition
‘One picture is worth a thousand words – or is it? In most cases, I would say: no, a poet’s word is worth at least a thousand pictures. But then I would have to admit that Roman Vishniac is a special case.
This astonishing man’s eyes seem to pierce our memory, to sift its shadows. We are afraid to follow him, but we do, even so. Who can resist the lure of the past?’ – Elie Wiesel, from the foreword.
A fine first edition, signed with a large flourish to the front ‘Roman / Edith Vishniac 1985’ Produced for the exhibition of the same name, in large format with 180 photographs, many of which had never been published before.
‘Living in Berlin in the 1920s and 30s after his family was forced to flee Russia, Vishniac covered 5,000 miles, across Poland, the Ukraine, Czechoslovakia, Romania, Hungary, Latvia, and Lithuania, documenting Jewish life in cities, villages, and shtetls. Here are the faces of the vanished Jews of Cracow and Warsaw, of Mukachevo, Carpathian Ruthenia, Lublin, Slonim, and Lodz. “He loves them all,” writes Elie Wiesel in the foreword to the publication A Vanished World that accompanies the exhibition, “the rabbis and their pupils, the peddlers and their customers, the beggars and the cantors, the sad old men and the smiling young ones. He loves them because the world they live in did not, and because death has already marked them for its own—death and oblivion as well.’ - International Center of Photography, 1983
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Price HK$ 4,000
1983 - Farrar, New York - First Edition
‘One picture is worth a thousand words – or is it? In most cases, I would say: no, a poet’s word is worth at least a thousand pictures. But then I would have to admit that Roman Vishniac is a special case.This astonishing man’s eyes seem to pierce our memory, to sift its shadows. We are afraid to follow him, but we do, even so. Who can resist the lure of the past?’ – Elie Wiesel, from the foreword.
A fine first edition, signed with a large flourish to the front ‘Roman / Edith Vishniac 1985’ Produced for the exhibition of the same name, in large format with 180 photographs, many of which had never been published before.
‘Living in Berlin in the 1920s and 30s after his family was forced to flee Russia, Vishniac covered 5,000 miles, across Poland, the Ukraine, Czechoslovakia, Romania, Hungary, Latvia, and Lithuania, documenting Jewish life in cities, villages, and shtetls. Here are the faces of the vanished Jews of Cracow and Warsaw, of Mukachevo, Carpathian Ruthenia, Lublin, Slonim, and Lodz. “He loves them all,” writes Elie Wiesel in the foreword to the publication A Vanished World that accompanies the exhibition, “the rabbis and their pupils, the peddlers and their customers, the beggars and the cantors, the sad old men and the smiling young ones. He loves them because the world they live in did not, and because death has already marked them for its own—death and oblivion as well.’ - International Center of Photography, 1983
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Price HK$ 4,000