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Results 1 - 8 of 11 results
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Bond Bound - Ian Fleming and the art of Cover Design -
2008 - Fleming-Wyfold Art Foundation, London - First Edition
A scarce and fine example of this title, produced to accompany the 'Bond Bound' exhibition held in the gallery of London’s Flemings Bank during the Ian Fleming Centenary year, and later at The City art centre in Edinburgh. Heavily illustrated throughout with over 200 images of Bond covers, an essential guide to the artists and art that accompanied the James Bond books. With essays from various specialists.
More details
Price HK$ 1,500
2008 - Fleming-Wyfold Art Foundation, London - First Edition
A scarce and fine example of this title, produced to accompany the 'Bond Bound' exhibition held in the gallery of London’s Flemings Bank during the Ian Fleming Centenary year, and later at The City art centre in Edinburgh. Heavily illustrated throughout with over 200 images of Bond covers, an essential guide to the artists and art that accompanied the James Bond books. With essays from various specialists.
More details
Price HK$ 1,500
The Yellow Book -
Aubrey Beardsley
April 1894-April 1897 - Elkin Mathews &, London
A complete, clean and better than normally encountered thirteen volume set of this groundbreaking art nouveau publication, in the publisher’s bright yellow illustrated covers with designs by Aubrey Beardsley. Together with ‘A Selection’ published in 1950 and bound in yellow cloth to match the earlier set. Fourteen volumes in total.
From its initial visually arresting issue, for which Aubrey Beardsley was art editor and for which Max Beerbohm wrote an essay, ‘A Defence of Cosmetics’, ‘The Yellow Book’ attained immediate notoriety.
Published by John Lane and edited by Henry Harland, ‘The Yellow Book’ attracted many outstanding writers and artists of the era, such as Arnold Bennett, Charlotte Mew, Henry James, Edmund Gosse, Richard Le Gallienne, and Walter Sickert.
Although dominated by the illustrations of Aubrey Beardsley, and his decadent fin de siècle aura, many other distinguished artists contributed to the quarterly, notably Frederic Leighton, Will Rothenstein, Walter Sickert and Philip Wilson Steer; contributors to the text included Max Beerbohm, John Buchan, Baron Corvo, Edmund Gosse, Kenneth Grahame, Henry James, E. Nesbit and W. B. Yeats.
More details
Price HK$ 10,000
April 1894-April 1897 - Elkin Mathews &, London
A complete, clean and better than normally encountered thirteen volume set of this groundbreaking art nouveau publication, in the publisher’s bright yellow illustrated covers with designs by Aubrey Beardsley. Together with ‘A Selection’ published in 1950 and bound in yellow cloth to match the earlier set. Fourteen volumes in total.From its initial visually arresting issue, for which Aubrey Beardsley was art editor and for which Max Beerbohm wrote an essay, ‘A Defence of Cosmetics’, ‘The Yellow Book’ attained immediate notoriety.
Published by John Lane and edited by Henry Harland, ‘The Yellow Book’ attracted many outstanding writers and artists of the era, such as Arnold Bennett, Charlotte Mew, Henry James, Edmund Gosse, Richard Le Gallienne, and Walter Sickert.
Although dominated by the illustrations of Aubrey Beardsley, and his decadent fin de siècle aura, many other distinguished artists contributed to the quarterly, notably Frederic Leighton, Will Rothenstein, Walter Sickert and Philip Wilson Steer; contributors to the text included Max Beerbohm, John Buchan, Baron Corvo, Edmund Gosse, Kenneth Grahame, Henry James, E. Nesbit and W. B. Yeats.
More details
Price HK$ 10,000
Julens Tolv Dage -
Doreen and Lars Bo
1953 - O.C. Olsen &, Denmark
One of 850 copies privately printed for Doreen and Lars Bo to give to friends.
A fine copy, of this personal interpretation in Danish of the traditional carol ‘The Twelve Days of Christmas’, written and beautifully illustrated by renowned Danish artist and illustrator Lars Bo, with gilt illustrated blue paper wrappers, and inscribed from Doreen and Lars Bo to their friends the equally renowned illustrator Ronald Searle and his wife, the journalist and publisher Kaye Webb.
More details
Price HK$ 2,000
1953 - O.C. Olsen &, Denmark
One of 850 copies privately printed for Doreen and Lars Bo to give to friends.A fine copy, of this personal interpretation in Danish of the traditional carol ‘The Twelve Days of Christmas’, written and beautifully illustrated by renowned Danish artist and illustrator Lars Bo, with gilt illustrated blue paper wrappers, and inscribed from Doreen and Lars Bo to their friends the equally renowned illustrator Ronald Searle and his wife, the journalist and publisher Kaye Webb.
More details
Price HK$ 2,000
The Great Gatsby -
F. Scott Fitzgerald, Michael Graves (illustrator)
1984 - The Arion Press, San Francisco - One of 400 copies, signed by Graves
‘So we beat on, boats against the current, borne back ceaselessly into the past.’
Exquisitely produced deluxe limited edition of Fitzgerald’s masterpiece, now considered a landmark of 20th century fiction, and the epitome of the Jazz Age in American literature.
A collaboration between Andrew Hoyem of the Arion Press and the great American post-modernist architect and designer Michael Graves (1934-2015), a member of The New York Five and the Memphis Group, and a professor of architecture at Princeton University for nearly forty years.
One of 400 copies, signed by Graves who provides ninety-seven drawings from his interpretation of the novel, including its architectural backdrop, the landscape, gardens, buildings, furnishing, vehicles and any other objects that struck his fancy, such as the liquor bottles and cocktail glasses that are fixtures in the story. The slipcase displays a low relief of a site plan for Graves’ envisioning of Gatsby’s Estate.
Laid-in to the slipcase is a copy of Michael Graves draws Gatsby which provides the background, a brief biography of Graves, and description of the production itself, and the regular prospectus letter.
More details
Price HK$ 16,000
1984 - The Arion Press, San Francisco - One of 400 copies, signed by Graves
‘So we beat on, boats against the current, borne back ceaselessly into the past.’Exquisitely produced deluxe limited edition of Fitzgerald’s masterpiece, now considered a landmark of 20th century fiction, and the epitome of the Jazz Age in American literature.
A collaboration between Andrew Hoyem of the Arion Press and the great American post-modernist architect and designer Michael Graves (1934-2015), a member of The New York Five and the Memphis Group, and a professor of architecture at Princeton University for nearly forty years.
One of 400 copies, signed by Graves who provides ninety-seven drawings from his interpretation of the novel, including its architectural backdrop, the landscape, gardens, buildings, furnishing, vehicles and any other objects that struck his fancy, such as the liquor bottles and cocktail glasses that are fixtures in the story. The slipcase displays a low relief of a site plan for Graves’ envisioning of Gatsby’s Estate.
Laid-in to the slipcase is a copy of Michael Graves draws Gatsby which provides the background, a brief biography of Graves, and description of the production itself, and the regular prospectus letter.
More details
Price HK$ 16,000
Architectura Navalis - bound with - Architectura Civilis, Nova & Antiqua -
Josephum Furttenbach, Georg Andreas B
1629 - Johan Saurn, Ulm - First Editions
A stunning, clean and complete copy of Joseph Furttenbach’s famous treaty on shipbuilding, Architectura Navalis with double-page engraved title, title in red and black, twenty stunning double-page engraved plates showing boat design, and various types of boats many engaged in action with other boats and monsters of the sea. Furttenbach was a highly influential German architect, who attempted to cover all fields of architecture in his writings. Böckler corresponded with Furttenbach and his works on architecture were intended to contribute to the rebuilding of Germany after the devastation of the Thirty Years War, his Architectura Civilis, Nova & Antiqua presents a comparative treatment of the Orders [Architectural Styles] and is illustrated with forty engraved plates, woodcut printer’s device and red and black text to title page, woodcut head pieces, and initials.
More details
Price HK$ 95,000
1629 - Johan Saurn, Ulm - First Editions
A stunning, clean and complete copy of Joseph Furttenbach’s famous treaty on shipbuilding, Architectura Navalis with double-page engraved title, title in red and black, twenty stunning double-page engraved plates showing boat design, and various types of boats many engaged in action with other boats and monsters of the sea. Furttenbach was a highly influential German architect, who attempted to cover all fields of architecture in his writings. Böckler corresponded with Furttenbach and his works on architecture were intended to contribute to the rebuilding of Germany after the devastation of the Thirty Years War, his Architectura Civilis, Nova & Antiqua presents a comparative treatment of the Orders [Architectural Styles] and is illustrated with forty engraved plates, woodcut printer’s device and red and black text to title page, woodcut head pieces, and initials.
More details
Price HK$ 95,000
Is She a Lady? A Problem in Autobiography -
Nina Hamnett
1955 - Allan Windgate, London - First Edition
A rare dust jacketed first edition of Nina Hamnett’s second autobiographical work, the first being ‘A Laughing Torso’ [1933], and published only a year before her death.
Although more famous as the ‘Queen of Bohemia’ in Paris and written about first and foremost as a subject for the art of others (from Henri Gaudier-Brzeska to Roger Fry to Walter Sickert, ), she was a well trained and versatile artist in her own right and one of few emerging female artists of the first half of the 20th century.
‘Reading her story as a tale of the emergence of a young woman into the modern art world, her writing – breathless as it can be – creates a pithy, vivid and often amusing picture of what it felt like to throw off the constraints of the Edwardian lady and reinvent yourself as an artist’ - Alicia Foster, Art UK.
Illustrated with seven photographs and six reproductions of her drawings, including one of Anthony Powell from 1927.
Beginning in 1926, Nina Hamnett ‘proceeds to unleash a reckless Niagara of hilarious anecdotes and preposterous incidents of the vintage Bohemian life of London and Paris in the late twenties and early thirties. This was a world of pubs and clubs and parties, of painters, patrons, poets, boxers and tarts, of champagne drunk with the rich, quiet visits to the pawnshop and studio free-for-alls...’
More details
Price HK$ 5,000
1955 - Allan Windgate, London - First Edition
A rare dust jacketed first edition of Nina Hamnett’s second autobiographical work, the first being ‘A Laughing Torso’ [1933], and published only a year before her death.Although more famous as the ‘Queen of Bohemia’ in Paris and written about first and foremost as a subject for the art of others (from Henri Gaudier-Brzeska to Roger Fry to Walter Sickert, ), she was a well trained and versatile artist in her own right and one of few emerging female artists of the first half of the 20th century.
‘Reading her story as a tale of the emergence of a young woman into the modern art world, her writing – breathless as it can be – creates a pithy, vivid and often amusing picture of what it felt like to throw off the constraints of the Edwardian lady and reinvent yourself as an artist’ - Alicia Foster, Art UK.
Illustrated with seven photographs and six reproductions of her drawings, including one of Anthony Powell from 1927.
Beginning in 1926, Nina Hamnett ‘proceeds to unleash a reckless Niagara of hilarious anecdotes and preposterous incidents of the vintage Bohemian life of London and Paris in the late twenties and early thirties. This was a world of pubs and clubs and parties, of painters, patrons, poets, boxers and tarts, of champagne drunk with the rich, quiet visits to the pawnshop and studio free-for-alls...’
More details
Price HK$ 5,000
Household Furniture and Interior Decoration, Executed from Designs -
Thomas Hope
1807 - T. Bensley for Longman, London - First Edition
A large folio first edition of the “most important English furniture design book of the early nineteenth century” [Musgrave]. The first to document Regency style, it contains what is considered the earliest use of the term “interior decoration” introduced into the English language.
Illustrated throughout with sixty copper engraved plates from drawings by Hope, and an additional engraved title page, this work contributed to the fashion for mixing styles (Greek, Roman, Turkish, Chinese, etc.) eclectically by depicting the furnishings, made to his own designs, in his Duchess Street house.
Dedicated to the classical ideal, Hope (1769-1831) used his considerable fortune to influence taste, specifically to influence modern design according to classical standards. The publication of ‘Household Furniture’ successfully served his didactic aims, and influenced subsequent generations of designers up to the modern day.
More details
Price HK$ 18,000
1807 - T. Bensley for Longman, London - First Edition
A large folio first edition of the “most important English furniture design book of the early nineteenth century” [Musgrave]. The first to document Regency style, it contains what is considered the earliest use of the term “interior decoration” introduced into the English language.Illustrated throughout with sixty copper engraved plates from drawings by Hope, and an additional engraved title page, this work contributed to the fashion for mixing styles (Greek, Roman, Turkish, Chinese, etc.) eclectically by depicting the furnishings, made to his own designs, in his Duchess Street house.
Dedicated to the classical ideal, Hope (1769-1831) used his considerable fortune to influence taste, specifically to influence modern design according to classical standards. The publication of ‘Household Furniture’ successfully served his didactic aims, and influenced subsequent generations of designers up to the modern day.
More details
Price HK$ 18,000
History of the Royal Residences -
William Henry Pyne
1819 - Printed for A. Dry, London - First Edition
A beautiful and luxurious first edition of one of the most ambitious aquatint books to be published on English interiors. Three finely bound volumes containing one hundred exquisite hand-coloured plates with accompanying text.
This celebrated work was the first to illustrate royal palaces and houses in any detail: volume I is a valuable record of the state rooms of Windsor Castle formed for Charles II, and concludes with the more domestic scenes of Frogmore, purchased by Queen Charlotte as a country retreat in 1793; volume II is devoted to Hampton Court, Buckingham Palace and Kensington Palace; volume III's subjects are St James's Palace and Carlton House; the twenty plates devoted to the Prince Regent's residence depict what were regarded as the most spectacular interiors in Regency London.
More details
Price HK$ 80,000
1819 - Printed for A. Dry, London - First Edition
A beautiful and luxurious first edition of one of the most ambitious aquatint books to be published on English interiors. Three finely bound volumes containing one hundred exquisite hand-coloured plates with accompanying text.This celebrated work was the first to illustrate royal palaces and houses in any detail: volume I is a valuable record of the state rooms of Windsor Castle formed for Charles II, and concludes with the more domestic scenes of Frogmore, purchased by Queen Charlotte as a country retreat in 1793; volume II is devoted to Hampton Court, Buckingham Palace and Kensington Palace; volume III's subjects are St James's Palace and Carlton House; the twenty plates devoted to the Prince Regent's residence depict what were regarded as the most spectacular interiors in Regency London.
More details
Price HK$ 80,000
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