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Results 9 - 13 of 13 results
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The Stones of Venice - The Foundations, The Sea-Stories; The Fall. With Illustrations drawn by the Author -
John Ruskin
1873-1874 - Smith, London - Signed Limited Edition
Illustrated with 53 mixed technique plates (including lithograph, mezzotint, aquatint and engraved, some tinted or hand-coloured), together with wood engraved illustrations and diagrams throughout the text.
‘Among the many strange things that have befallen Venice, she had the good fortune to become the object of passion to a man of splendid genius’ - Henry James on John Ruskin.
The book aroused considerable interest in Victorian Britain and beyond. The chapter "The Nature of Gothic" (from volume 2) was admired by William Morris, who published it separately in an edition which is in itself an example of Gothic revival. It inspired Marcel Proust; the narrator of the Recherche visits Venice with his mother in a state of enthusiasm for Ruskin
More details
Price HK$ 30,000
1873-1874 - Smith, London - Signed Limited Edition
Illustrated with 53 mixed technique plates (including lithograph, mezzotint, aquatint and engraved, some tinted or hand-coloured), together with wood engraved illustrations and diagrams throughout the text.‘Among the many strange things that have befallen Venice, she had the good fortune to become the object of passion to a man of splendid genius’ - Henry James on John Ruskin.
The book aroused considerable interest in Victorian Britain and beyond. The chapter "The Nature of Gothic" (from volume 2) was admired by William Morris, who published it separately in an edition which is in itself an example of Gothic revival. It inspired Marcel Proust; the narrator of the Recherche visits Venice with his mother in a state of enthusiasm for Ruskin

Price HK$ 30,000
Scar-Strangled Banger -
Ralph Steadman
1988 - Salem House Publishers, Massachusetts - First American Edition
Scar Strangled Banger is one of two large books (the other one being America) giving Steadman's view of America in retrospect-sharply satirizing all aspects of 1970’s and 1980’s life in American society, peppered with his sharp, powerful and incredible full-page and double-spread, colour and black & white drawings.
‘In Scar-Strangled Banger, Ralph Steadman turns his satirical attentions to America, the Land of the Free, where even God can be acquired with a credit card. In this land of seemingly limitless opportunities, of All-Nite Liquor stores, aerobic work-outs, silicone lifts and Saturday Night Specials, a country where lettuce is served with everything, he finds that the quality of life is dependent mainly on personal wealth and air conditioning.
This extraordinary collection of paintings and drawings, in colour and black and white, gleefully satirizes all aspects of life in modern America. Whether it be people, places or politics, nothing is safe from Ralph Steadman’s razor sharp pen and even sharper wit. Nixon is “a satirists dream”, Texas is where “ the oil wells are so deep they have lease land rights from the Australian government before they drill” and political conventions are “campaigns in the ass”. His portraits of the Nixon years, Vietnam and Watergate, the Reagan years, Pearlygate and the 1988 Presidential Election are powerful, disturbing and above all savagely funny. It will leave you asking has anything really changed.’
More details
Price HK$ 1,000
1988 - Salem House Publishers, Massachusetts - First American Edition
Scar Strangled Banger is one of two large books (the other one being America) giving Steadman's view of America in retrospect-sharply satirizing all aspects of 1970’s and 1980’s life in American society, peppered with his sharp, powerful and incredible full-page and double-spread, colour and black & white drawings.‘In Scar-Strangled Banger, Ralph Steadman turns his satirical attentions to America, the Land of the Free, where even God can be acquired with a credit card. In this land of seemingly limitless opportunities, of All-Nite Liquor stores, aerobic work-outs, silicone lifts and Saturday Night Specials, a country where lettuce is served with everything, he finds that the quality of life is dependent mainly on personal wealth and air conditioning.
This extraordinary collection of paintings and drawings, in colour and black and white, gleefully satirizes all aspects of life in modern America. Whether it be people, places or politics, nothing is safe from Ralph Steadman’s razor sharp pen and even sharper wit. Nixon is “a satirists dream”, Texas is where “ the oil wells are so deep they have lease land rights from the Australian government before they drill” and political conventions are “campaigns in the ass”. His portraits of the Nixon years, Vietnam and Watergate, the Reagan years, Pearlygate and the 1988 Presidential Election are powerful, disturbing and above all savagely funny. It will leave you asking has anything really changed.’

Price HK$ 1,000
Le Bon-Bock - 321 Letterpress Invitations in two Folio Albums -
Various
1886-1936 - Printed for Le Bon-Bock, Paris
An incredibly rare collection of 321 original illustrated letterpress dinner invitations from Le Bon-Bock society (each approximately 33x23cm), whose soirees on the second Tuesday of each month near Montmartre were frequented by Paris’ most flamboyant and original writers and artists of La Belle Époque and Les Années Folles.
The artists competed to have their work used for the next invitation, and together with their work each invitation provides an account of the previous dinners activities, beginning with opening speeches, notices and announcements, and then other activities, which usually include poems, prose, texts, songs, instrumental pieces.
The invitations are dated from April 1886 to April 1936, with the first thirty or so addressed to Monsieur Régnier, one of the founders of the association. Individually rare, a collection of this size and association provides one of the most important associations of these periods in Paris.
Inspired by Edouard Manet’s painting Le Bon Bock (The Good Pint), and the democratic, nationalistic ideals that it symbolised, Emile Bellot (the printmaker and model for Manet’s beer drinker) established the Bon-Bock Society in 1875. Consisting mainly of artists, writers and performers, the society sought to re-define France’s national spirit by delving into the country’s cultural past. The inseparable ideals of freedom and humour within their community created opportunities for artistic experimentation; the Bon Bockers and their carefree attitude would go on to inspire generations of Montmartre natives for years to come.
More details
Price HK$ 90,000
1886-1936 - Printed for Le Bon-Bock, Paris
An incredibly rare collection of 321 original illustrated letterpress dinner invitations from Le Bon-Bock society (each approximately 33x23cm), whose soirees on the second Tuesday of each month near Montmartre were frequented by Paris’ most flamboyant and original writers and artists of La Belle Époque and Les Années Folles. The artists competed to have their work used for the next invitation, and together with their work each invitation provides an account of the previous dinners activities, beginning with opening speeches, notices and announcements, and then other activities, which usually include poems, prose, texts, songs, instrumental pieces.
The invitations are dated from April 1886 to April 1936, with the first thirty or so addressed to Monsieur Régnier, one of the founders of the association. Individually rare, a collection of this size and association provides one of the most important associations of these periods in Paris.
Inspired by Edouard Manet’s painting Le Bon Bock (The Good Pint), and the democratic, nationalistic ideals that it symbolised, Emile Bellot (the printmaker and model for Manet’s beer drinker) established the Bon-Bock Society in 1875. Consisting mainly of artists, writers and performers, the society sought to re-define France’s national spirit by delving into the country’s cultural past. The inseparable ideals of freedom and humour within their community created opportunities for artistic experimentation; the Bon Bockers and their carefree attitude would go on to inspire generations of Montmartre natives for years to come.

Price HK$ 90,000
Gazette du Bon Ton. Arts Modes & Frivolites. 1912-1913 Tome I and II; 1914 - Tome I -
Lucien Vogel (directeur)
1912-13 - Librairie Centrale des Beaux-Arts, Paris - First Editions
A beautiful and rare set of the first 18 legendary illustrated luxury fashion magazines to be issued by ‘Gazette du Bon Ton’. Finely bound in contemporary vellum. Text in French.
Art Nouveau at its finest, featuring the best designers and artists of the day. Stunningly illustrated with 181 pochoir plates (14 of which are double page), 33 additional full page colour plates, and hundreds of colour vignettes, and sketches throughout.
Belts, Shawls, Hats, Swimming Costumes, Theatre, Shoes, Handbags, Travel Bags and Trunks, Bouquets, Motoring, Sport, Hunting, Gloves, Jewellery, Riding, Make-up, Riviera, Hairstyle, Nightgowns, Capes, Umbrellas... to name but a few of the essential topics challenging the lifestyles of the fashion elite.
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Price HK$ 140,000
1912-13 - Librairie Centrale des Beaux-Arts, Paris - First Editions
A beautiful and rare set of the first 18 legendary illustrated luxury fashion magazines to be issued by ‘Gazette du Bon Ton’. Finely bound in contemporary vellum. Text in French.Art Nouveau at its finest, featuring the best designers and artists of the day. Stunningly illustrated with 181 pochoir plates (14 of which are double page), 33 additional full page colour plates, and hundreds of colour vignettes, and sketches throughout.
Belts, Shawls, Hats, Swimming Costumes, Theatre, Shoes, Handbags, Travel Bags and Trunks, Bouquets, Motoring, Sport, Hunting, Gloves, Jewellery, Riding, Make-up, Riviera, Hairstyle, Nightgowns, Capes, Umbrellas... to name but a few of the essential topics challenging the lifestyles of the fashion elite.

Price HK$ 140,000
Gazette Du Bon Ton, Arts, Modes & Frivolit -
Lucien Vogel (directeur)
1920 - Aus É, Paris - First Editions
Two finely bound volumes presenting Art-Deco Parisian fashion at its finest, comprising the entire run of Gazzette Du Bon Ton for 1920. Stunningly illustrated with 79 pochoir plates (many folding), 48 fashion sketches and hundreds of colour vignettes, and sketches throughout also coloured in pochoir. A luxurious collection of fashion articles, stunning art-deco pochoir plates, and sketches featuring the work of the best designers and artists of the day, including George Lepape, Pierre Brissaud, Charles Martin, André Marty, Raoul Dufy, Eduardo Bénito and many others.
Gazette du Bon Ton was the Parisian fashion magazine, active from 1912-1925 it fostered an elite aesthetic by signing exclusivity contracts with Paris' top couture houses and featuring gorgeous pochoir reproductions of the latest designs. The stated aim of the magazine was to push back on the hegemonic idea that women's fashion was inferior as an art form. Many of the artists chose to illustrate their women and designs in various narrative settings and situations rather than in blank spaces.
More details
Price HK$ 45,000
1920 - Aus É, Paris - First Editions
Two finely bound volumes presenting Art-Deco Parisian fashion at its finest, comprising the entire run of Gazzette Du Bon Ton for 1920. Stunningly illustrated with 79 pochoir plates (many folding), 48 fashion sketches and hundreds of colour vignettes, and sketches throughout also coloured in pochoir. A luxurious collection of fashion articles, stunning art-deco pochoir plates, and sketches featuring the work of the best designers and artists of the day, including George Lepape, Pierre Brissaud, Charles Martin, André Marty, Raoul Dufy, Eduardo Bénito and many others.Gazette du Bon Ton was the Parisian fashion magazine, active from 1912-1925 it fostered an elite aesthetic by signing exclusivity contracts with Paris' top couture houses and featuring gorgeous pochoir reproductions of the latest designs. The stated aim of the magazine was to push back on the hegemonic idea that women's fashion was inferior as an art form. Many of the artists chose to illustrate their women and designs in various narrative settings and situations rather than in blank spaces.

Price HK$ 45,000
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