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Modern Confectionary; Containing Receipts for Drying and Candying, Confits, Cakes, Preserves, Liqueurs, Ices, Jellies, Creams, Sponges, Pastes, Potted Meats, Pickles, Wines, Etc. Etc. Etc. By the Author of Modern Cookery -
Anon
1833 - Printed by and for Henry Mozley and Sons, Derby - Second Edition
A finely bound rare early nineteenth century compilation of recipes including deserts, cakes, biscuits, pickles, relish, wines. Most likely compiled from numerous sources by Eliza Acton, who has been described as the first modern cookery writer, preceding Mrs Beeton by several years. Delia Smith has called her ‘the best writer of recipes in the English language’.
Chapters are: Drying and Candying; Lozenges and Confits, Cakes, Biscuits, etc.; Puddings; Preserves; Sirups, Liqueurs, and Waters; Ices; Jellies; Creams, Custards, etc.; Sponges; Patties, Pastes, etc.; Potted Meats; Pickles, Catsups, etc.; Observations on British Wine.
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Price HK$ 3,000
1833 - Printed by and for Henry Mozley and Sons, Derby - Second Edition
A finely bound rare early nineteenth century compilation of recipes including deserts, cakes, biscuits, pickles, relish, wines. Most likely compiled from numerous sources by Eliza Acton, who has been described as the first modern cookery writer, preceding Mrs Beeton by several years. Delia Smith has called her ‘the best writer of recipes in the English language’.Chapters are: Drying and Candying; Lozenges and Confits, Cakes, Biscuits, etc.; Puddings; Preserves; Sirups, Liqueurs, and Waters; Ices; Jellies; Creams, Custards, etc.; Sponges; Patties, Pastes, etc.; Potted Meats; Pickles, Catsups, etc.; Observations on British Wine.
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Price HK$ 3,000
A Voyage Round the World, In the Years MDCCXL, I, II, III, IV. -
George Anson, Richard Walter
1748 - Printed for the Author, London - First Edition
A finely bound ‘Royal Paper’ copy of this beautifully illustrated work which ‘has long occupied a distinguished position as a masterpiece of descriptive travel’ (Hill), and ‘a model of what such literature should be’ (Cox).
Containing forty-two copper-engraved maps, charts, views, and coastal profiles, all but one folding, including views of Brazilian harbours and cities, Acapulco, Tenian, Port St. Julian, Magellan’s Straits, the Bay of Manila, Saipan, Lama, Lantau, Chinese junks, and others, and large folding maps of South America, the Philippines, and the Pacific Ocean, as well as a twelve-page subscriber list, and the two-page instructions to the binder.
England, at war with Spain in 1739, equipped eight ships under the command of George Anson to harass the Spaniards on the western coast of South America for the purpose of cutting off Spanish supplies of wealth from the Pacific area. Seven ships were lost and of 900 men 600 perished. As usual, scurvy took an appalling toll.
The Spanish fleet sent to oppose the British ran into storms; provisions ran out and many ships were wrecked. Thus the primary objective of the expedition was not attained. Anson, however, continued taking prizes off the Pacific coast during 1741-42, and in June 1743, near the Philippines, he captured the Spanish galleon Nostra Seigniora de Cabadonga and its treasure of £400,000 sterling, which allowed Anson and the surviving members of his crew to reach England much the richer.
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Price HK$ 59,000
1748 - Printed for the Author, London - First Edition
A finely bound ‘Royal Paper’ copy of this beautifully illustrated work which ‘has long occupied a distinguished position as a masterpiece of descriptive travel’ (Hill), and ‘a model of what such literature should be’ (Cox).Containing forty-two copper-engraved maps, charts, views, and coastal profiles, all but one folding, including views of Brazilian harbours and cities, Acapulco, Tenian, Port St. Julian, Magellan’s Straits, the Bay of Manila, Saipan, Lama, Lantau, Chinese junks, and others, and large folding maps of South America, the Philippines, and the Pacific Ocean, as well as a twelve-page subscriber list, and the two-page instructions to the binder.
England, at war with Spain in 1739, equipped eight ships under the command of George Anson to harass the Spaniards on the western coast of South America for the purpose of cutting off Spanish supplies of wealth from the Pacific area. Seven ships were lost and of 900 men 600 perished. As usual, scurvy took an appalling toll.
The Spanish fleet sent to oppose the British ran into storms; provisions ran out and many ships were wrecked. Thus the primary objective of the expedition was not attained. Anson, however, continued taking prizes off the Pacific coast during 1741-42, and in June 1743, near the Philippines, he captured the Spanish galleon Nostra Seigniora de Cabadonga and its treasure of £400,000 sterling, which allowed Anson and the surviving members of his crew to reach England much the richer.
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Price HK$ 59,000
Russian Ballet. Camera Studies by Gordon Anthony. With an Introduction by Arnold Haskell -
Gordon Anthony
1939 - Geoffrey Bles, London - First Edition
Illustrated with 96 tipped-in black and white photographs of Russian ballet stars, including a frontispiece.
A series of photographic studies of the stars of both Russian ballet companies at the time, including a portrait of the choreographer Michael Fokine, young Serge Lifar, Irina Baronova, Anton Dolin, Alexandra Danilova, Frederick Franklin, Tamara Grigorieva, David Lichine, Alicia Markova, Marc Platoff, Leonide Massine, Mia Slavenska and others.
Gordon Anthony was born James Gordon Dawson Stannus in Wicklow, Ireland on 23 December 1902. He started working in photography in 1926, making images of the students at his sister's ballet school in London. In 1933 he became the portrait photographer to the Shakespeare Memorial Theatre, Stratford. His photographs helped to make the Royal Ballet known across the world in the 1930s. In 1948, he published the first ever book of colour photography in Great Britain, Studies of Dancers.
Anthony's photographs are held in major collections including the Victoria and Albert Museum and the National Portrait Gallery.
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Price HK$ 8,000
1939 - Geoffrey Bles, London - First Edition
Illustrated with 96 tipped-in black and white photographs of Russian ballet stars, including a frontispiece.A series of photographic studies of the stars of both Russian ballet companies at the time, including a portrait of the choreographer Michael Fokine, young Serge Lifar, Irina Baronova, Anton Dolin, Alexandra Danilova, Frederick Franklin, Tamara Grigorieva, David Lichine, Alicia Markova, Marc Platoff, Leonide Massine, Mia Slavenska and others.
Gordon Anthony was born James Gordon Dawson Stannus in Wicklow, Ireland on 23 December 1902. He started working in photography in 1926, making images of the students at his sister's ballet school in London. In 1933 he became the portrait photographer to the Shakespeare Memorial Theatre, Stratford. His photographs helped to make the Royal Ballet known across the world in the 1930s. In 1948, he published the first ever book of colour photography in Great Britain, Studies of Dancers.
Anthony's photographs are held in major collections including the Victoria and Albert Museum and the National Portrait Gallery.
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Price HK$ 8,000
Le Paysan de Paris The Peasant of Paris - Signed by Henri Cartier-Bresson -
Louis Aragon, Henri Cartier-Bresson
1994 - The Limited editions Club, New York - Number 89 of 300 copies.
‘I was seeking… a new kind of novel that would break all the traditional rules governing the writing of fiction… a novel that the critics would be obliged to approach empty-handed’ – Louis Aragon.
A large (32x42cm) beautiful and superbly produced limited edition folio of Louis Aragon’s outstanding Surrealist novel – in which he compares a poet’s love for his city to a peasant’s love for his land – illustrated and signed by Henri Cartier-Bresson, one of only 300 copies. With the text in English, translated by Simon Watson-Taylor.
Stunningly illustrated with seven original lithographs and a photogravure by Henri Cartier-Bresson. The lithographs were pulled by Bruce Porter at his Trestle Editions studio in New York. The photogravure was printed by Jon Goodman on French-made Arjo Wiggins stock.
Bound in silk and provided with a matching felt lined silk slipcase.
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Price HK$ 9,000
1994 - The Limited editions Club, New York - Number 89 of 300 copies.
‘I was seeking… a new kind of novel that would break all the traditional rules governing the writing of fiction… a novel that the critics would be obliged to approach empty-handed’ – Louis Aragon.A large (32x42cm) beautiful and superbly produced limited edition folio of Louis Aragon’s outstanding Surrealist novel – in which he compares a poet’s love for his city to a peasant’s love for his land – illustrated and signed by Henri Cartier-Bresson, one of only 300 copies. With the text in English, translated by Simon Watson-Taylor.
Stunningly illustrated with seven original lithographs and a photogravure by Henri Cartier-Bresson. The lithographs were pulled by Bruce Porter at his Trestle Editions studio in New York. The photogravure was printed by Jon Goodman on French-made Arjo Wiggins stock.
Bound in silk and provided with a matching felt lined silk slipcase.
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Price HK$ 9,000
An Aperture Monograph -
Diane Arbus
1972 - Aperture, Millerton - First Edition
A fine first edition, this first issue or printing includes the photograph ‘Two Girls in Identical Raincoats Central Park, N.Y.C, 1969’ which was suppressed in all subsequent printings.
Produced in conjunction with the Arbus retrospective at the Museum of Modern Art organised by John Szarkowski, the year following Arbus' death by suicide. With a frontispiece portrait of Arbus by Stephen Frank.
‘For the concentrated essence of her vision, this monograph – published a year after her death in 1971 – remains indispensable’ – The best photography books and magazines, Geoff Dyer and Simon Bainbridge, The Guardian, October 2018.
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Price HK$ 9,000
1972 - Aperture, Millerton - First Edition
A fine first edition, this first issue or printing includes the photograph ‘Two Girls in Identical Raincoats Central Park, N.Y.C, 1969’ which was suppressed in all subsequent printings. Produced in conjunction with the Arbus retrospective at the Museum of Modern Art organised by John Szarkowski, the year following Arbus' death by suicide. With a frontispiece portrait of Arbus by Stephen Frank.
‘For the concentrated essence of her vision, this monograph – published a year after her death in 1971 – remains indispensable’ – The best photography books and magazines, Geoff Dyer and Simon Bainbridge, The Guardian, October 2018.
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Price HK$ 9,000
Real Sailor-Songs -
John Ashton (Editor)
1891 - The Leadenhall Press, London - First Edition
A magnificent and large folio, containing 129 historical naval songs in full page and broadsheet format, charmingly illustrated with over 200 engravings.
One third of the songs celebrate the great British naval victories up to the end of the 18th century, the balance gathered under the headings of - ‘Press Gang’, ‘Disaster’, ‘Ashore’, ‘Love’, and ‘Miscellaneous’.
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Price HK$ 6,000
1891 - The Leadenhall Press, London - First Edition
A magnificent and large folio, containing 129 historical naval songs in full page and broadsheet format, charmingly illustrated with over 200 engravings.One third of the songs celebrate the great British naval victories up to the end of the 18th century, the balance gathered under the headings of - ‘Press Gang’, ‘Disaster’, ‘Ashore’, ‘Love’, and ‘Miscellaneous’.
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Price HK$ 6,000
The Complete Works - Sense and Sensibility; Pride and Prejudice; Mansfield Park; Emma; Northanger Abbey and Persuasion; Lady Susan, The Watsons, and Letters -
Jane Austen
1911-12 - John Grant, Edinburgh - The Winchester Edition
‘I declare after all there is no enjoyment like reading! How much sooner one tires of anything than of a book! When I have a house of my own, I shall be miserable if I have not an excellent library.'
An elegantly bound twelve volume set, comprising all of Austen's works. With a portrait frontispiece to first volume, and title pages printed in red and black with a vignette 'JA' monogram.
‘Affectation of candour is common enough—one meets with it everywhere. But to be candid without ostentation or design—to take the good of everybody's character and make it still better, and say nothing of the bad—belongs to you alone.’
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Price HK$ 35,000
1911-12 - John Grant, Edinburgh - The Winchester Edition
‘I declare after all there is no enjoyment like reading! How much sooner one tires of anything than of a book! When I have a house of my own, I shall be miserable if I have not an excellent library.'An elegantly bound twelve volume set, comprising all of Austen's works. With a portrait frontispiece to first volume, and title pages printed in red and black with a vignette 'JA' monogram.
‘Affectation of candour is common enough—one meets with it everywhere. But to be candid without ostentation or design—to take the good of everybody's character and make it still better, and say nothing of the bad—belongs to you alone.’
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Price HK$ 35,000
Made in France - Signed -
Richard Avedon, Judith Thurman
2001 - Fraenkel Gallery, San Francisco - First and only edition, limited to 5000 &lsquo
A clean example of this fine large and fabulous book, signed by Avedon in his typical large scrawl.
Illustrated with 40 tritone and quadrotone plates, text by Richard Avedon and an Essay by Judith Thurman, staff writer for The New Yorker.
‘And if a day goes by without my doing something related to photography, it's as though I've neglected something essential to my existence, as though I had forgotten to wake up. I know that the accident of my being a photographer has made my life possible.’ - Richard Avedon.
‘These witty, ravishing photographs were taken in the late fifties, when Avedon was still shooting Paris couture for Harper's Bazaar— Suzy Parker, in a Lanvin-Castillo evening dress, bent over a pinball machine at Café des Beaux-Arts; Audrey Hepburn, in Dior, propped up against the bar at Maxim's like a bejewelled fountain pen.
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Price HK$ 12,000
2001 - Fraenkel Gallery, San Francisco - First and only edition, limited to 5000 &lsquo
A clean example of this fine large and fabulous book, signed by Avedon in his typical large scrawl.Illustrated with 40 tritone and quadrotone plates, text by Richard Avedon and an Essay by Judith Thurman, staff writer for The New Yorker.
‘And if a day goes by without my doing something related to photography, it's as though I've neglected something essential to my existence, as though I had forgotten to wake up. I know that the accident of my being a photographer has made my life possible.’ - Richard Avedon.
‘These witty, ravishing photographs were taken in the late fifties, when Avedon was still shooting Paris couture for Harper's Bazaar— Suzy Parker, in a Lanvin-Castillo evening dress, bent over a pinball machine at Café des Beaux-Arts; Audrey Hepburn, in Dior, propped up against the bar at Maxim's like a bejewelled fountain pen.
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Price HK$ 12,000